“Writing is hard work, and if anything's true about the process, it's that fact that a good story is hard to find and even trickier to get on paper. What's less romantic than staring alone at a blank screen? And edgy? I've changed the cat little because I didn't know what my characters were going to say next.”
“Real stories like this, human ones, could get you sent to prison, and it didn’t matter what they were about. It didn’t matter if the story was about an old woman or a squid attack—if it diverted emotion from the Dear Leader, it was dangerous.”
“I'm a Cancer, you know," I tell her. "So it's hard for me to talk. And I have all these weird dreams, not the ones with the Sony Girls - ha-ha - but mostly where I mow the lawn. Sometimes I just wash the car, like Gupta! But there's this voice in my head, and Lt. Kim thinks that once we get it to go away, I'll stop worrying that the good things in life are destined to fail, like you and me. But I'm up in this satellite dish, and I'm thinking: what if this is the voice that still believes things can be okay, that believes in good and warns me from bad? It wants to protect me, just like the United Nations.”
“Where we are from, he said, stories are factual. If a farmer is declared a music virtuoso by the state, everyone had better start calling him maestro. And secretly, he'd be wise to start practicing the piano. For us, the story is more important than the person. If a man and his story are in conflict, it is the man who must change....But in America, people's stories change all the time. In America, it is the man who matters.”
“Being in an M.F.A. is like living in a sci-fi biosphere on an alien planet, where everyone shares your obscure visionary notions: namely, that literature matters, that English professors know more than other people, that typing, alone, in a library, is what everyone should be doing on a Friday night. Better to tell strangers that speaking Klingon is what turns you on.”
“Where we are from... [s]tories are factual. If a farmer is declared a music virtuoso by the state, everyone had better start calling him maestro. And secretly, he'd be wise to start practicing the piano. For us, the story is more important than the person. If a man and his story are in conflict, it is the man who must change.”
“She was a believer, you know," the Captain said. "My wife. She thought socialism was the only thing that would make us strong again. There would be a difficult period, she always said, some sacrifices. And then things would be better. I didn't think I would miss that, you know. I didn't realize how much I needed someone to keep telling me why.”