“Ladies and Gentlemen! Silence please!" Every one was startled. They looked round-at each other, at the walls. Who was speaking? The Voice went on- a high clear voice.You are charged with the following indictments:Edward George Armstrong, that you did upon the 14th day of March, 1925, cause the death of Louisa Mary Clees.Emily Caroline Brent, that upon the 5th November, 1931, you were responsible for the death of Beatrice Taylor.William Henry Blore, that you brought about the death of James Stephen Landor on October 10th, 1928.Vera Elizabeth Claythorne, that on the 11th day of August, 1935, you killed Cyril Ogilvie Hamilton.Philip Lombard, that upon a date in February, 1932, you were guilty of the death of twenty-one men, members of an East African tribe. John Gordon Macarthur, that on the 4th of January, 1917, you deliberately sent your wife's lover, Arthur Richmond, to his death.Anthony James Marston, that upon the 14th day of November last, you were guilty of murder of John and Lucy Combes.Thomas Rogers and Ethel Rogers, that on the 6th of May, 1929, you brought about the death of Jennifer Brady.Lawrence John Wargrave, that upon the 10th day of June, 1930, you were guilty of the murder of Edward Seton.Prisoners at the bar, have you anything to say in your defense?”
In this quote from Agatha Christie's novel, "And Then There Were None," the characters are accused of various murders by an unknown voice. The accusation puts them on trial, creating a tense and suspenseful atmosphere as they are forced to face their crimes. Each character is confronted with the guilt of their past actions and given the opportunity to defend themselves before their ultimate fate is revealed. This quote sets the stage for the unfolding of a thrilling mystery as the characters grapple with their past and the consequences of their actions.
“Will you pour out tea, Miss Brent?' The elder woman replied: 'No, you do it, dear. That tea-pot is so heavy. And I have lost two skeins of my grey knitting-wool. So annoying.' Vera moved to the tea-table. There was a cheerful rattle and clink of china. Normality returned. Tea! Blessed ordinary everyday afternoon tea! Philip Lombard made a cheery remark. Blore responded. Dr. Armstrong told a humorous story. Mr. Justice Wargrave, who ordinarily hated tea, sipped approvingly. Into this relaxed atmosphere came Rogers. And Rogers was upset. He said nervously and at random: 'Excuse me, sir, but does any one know what's become of the bathroom curtain?' Lombard's head went up with a jerk. 'The bathroom curtain? What the devil do you mean, Rogers?' 'It's gone, sir, clean vanished. I was going round drawing all the curtains and the one in the lav - bathroom wasn't there any longer.' Mr. Justice Wargrave asked: 'Was it there this morning?''Oh, yes, sir.' Blore said: 'What kind of a curtain was it?''Scarlet oilsilk, sir. It went with the scarlet tiles.'Lombard said: 'And it's gone?''Gone, Sir.'They stared at each other. Blore said heavily: 'Well - after all-what of it? It's mad - but so's everything else. Anyway, it doesn't matter. You can't kill anybody with an oilsilk curtain. Forget about it.'Rogers said: 'Yes, sir, thank you, sir.' He went out, shutting the door.”
“If you place your head in a lion's mouth, then you cannot complain one day if he happens to bite it off.”
“Oh, I'm not afraid of death! What have I got to live for after all? I suppose you believe it's very wrong to kill a person who has injured you-even if they've taken away everything you had in the world?”
“Handsome, strong, gay ... She felt again the thro and lilt of her blood. She had loved Kameni in that moment. She loved him now. Kameni could take the place that Khay had held in her life. She thought: 'We shall be happy together - yes, we shall be happy. We shall live together and take pleasure in each other and we shall have strong, handsome children. There will be busy days full of work ... and days of pleasure when we sail on the River...Life will be again as I knew it with Khay...What could I ask more than that? What do I want more than that?'And slowly, very slowly indeed, she turned her face towards Hori. It was as though, silently, she asked him a question. As though he understood her, he answered:'When you were a child, I loved you. I loved your grave face and the confidence with which you came to me, asking me to mend your broken toys. And then, after eight years' absence, you came again and sat here, and brought me the thoughts that were in your mind. And your mind, Renisenb, is not like the minds of the rest of your family. It does not turn in upon itself, seeking to encase itself in narrow walls. Your mind is like my mind, it looks over the River, seeing a world of changes, of new ideas - seeing a world where all things are possible to those with courage and vision...'She broke off, unable to find words to frame her struggling thoughts. What life would be with Hori, she did not know. In spite of his gentleness, in spite of his love for her, he would remain in some respects incalculable and incomprehensible. They would share moments of great beauty and richness together - but what of their common daily life?(...)I have made my choice, Hori. I will share my life with you for good or evil, until death comes...With his arms round her, with the sudden new sweetness of his face against hers, she was filled with an exultant richness of living.”
“Vous eprouves trop d'emotion, Hastings, It affects your hands and your wits. Is that a way to fold a coat? And regard what you have done to my pyjamas. If the hairwash breaks what will befall them?''Good heavens, Poirot,' I cried, 'this is a matter of life and death. What does it matter what happens to our clothes?''You have no sense of proportion Hastings. We cannot catch a train earlier than the time that it leaves, and to ruin one's clothes will not be the least helpful in preventing a murder.”
“They say all the world loves a lover—apply that saying to murder and you have an even more infallible truth.”