“When you read the account of a murder - or, say, a fiction story based on murder - you usually begin with the murder itself. That's all wrong. The murder begins a long time beforehand. A murder is the culmination of a lot of different circumstances, all converging at a given moment at a given point. People are brought into it from different parts of the globe and for unforeseen reasons. [...] The murder itself is the end of the story. It's Zero Hour.”He paused.“It's Zero Hour now.”

“When a book is read an irrevocable thing happens — a murder, followed by an imposture. The story in the mind murders the story on the page, and takes its place.”

“Do you have to do murder?Do we have to do murder? Sure we have to do murder. There are only two subjects--a woman's chastity, and murder. Nobody's interested in chastity any more. Murder's all we got to write stories about.”

“People say they want to read about life but that's not what they want at all. They want a version of life. Don't you realize, someone else's version of someone else's life is still fiction? It's still a story. But it has no imagination. That's what you people have done. You've murdered imagination.”

“If you commit perjury I don't care. Don't give a shit. I don't think you should because you grade murder. You have murder One. Murder Two. You realize that there can be a difference in the level of murder. So there must be a difference in the level of perjury. Perjury One is when you're saying there's no Holocaust when, you know, 10 million people have died in it, and Perjury Nine, is when you said you shagged someone and you didn't.”

“The object of terrorism is terrorism. The object of oppression is oppression. The object of torture is torture. The object of murder is murder. The object of power is power. Now do you begin to understand me?”