“Our innate imbalances are further aggravated by practical demands. Our jobs make relentless calls on a narrow band of our faculties, reducing our chances of achieving rounded personalities and leaving us to suspect (often in the gathering darkness of a Sunday evening) that much of who we are, or could be, has gone unexplored. Society ends up containing a range of unbalanced groups, each hungering to sate its particular psychological deficiency, forming the backdrop against which our frequently heated conflicts about what is beautiful plays themselves out.”

“Our jobs make relentless calls on a narrow band of our faculties, reducing our chances of achieving rounded personalities and leaving us to suspect (often in the gathering darkness of a Sunday evening) that much of who we are, or could be, has gone unexplored.”

“What fabrications they are, mothers. Scarecrows, wax dolls for us to stick pins into, crude diagrams. We deny them an existence of their own, we make them up to suit ourselves -- our own hungers, our own wishes, our own deficiencies.”

“We realize--often quite suddenly--that our sense of self, which has been formed and constructed out of our ideas, beliefs and images, is not really who we are. It doesn't define us, it has no center.”

“We fish rest quietly, on all sides supported, within an element which all the time accurately and unfailingly evens itself out. An element which may be said to have taken over our personal experience, in as much as, regardless of individual shape and whether we be flat fish or round fish, our weight and body and calculated according to the quantity of our surroundings which we displace...We run no risks. For our changing of place in existence never creates, or leaves after it, what man calls a way, upon which phenomenon - in reality no phenomenon but an illusion - he will waste inexplicable passionate deliberation. Man, in the end, is alarmed by the idea of time, and unbalanced by incessant wanderings between past and future.”

“What makes the prospect of death distinctive in the modern age is the background of permanent technological and sociological revolution against which it is set, and which serves to strip us of any possible faith in the permanence of our labours. Our ancestors could believe that their achievements had a chance of bearing up against the flow of events. We know time to be a hurricane. Our buildings, our sense of style, our ideas, all of these will soon enough be anachronisms, and the machines in which we now take inordinate pride will seem no less bathetic than Yorick's skull.”