“Upon their meeting in New York in 1958: “We didn’t want to live together. We didn’t have any examples of what a good love relationship between two men could be. And there was always the problem of hiding so no one would know we were gay. There was no question that if I were known to be gay, living with another man, it would make it more difficult for me to get work as an actor.” - Alan Shayne, co-author, Double Life”

“In the 1970s, when Norman Sunshine won an Emmy for the graphics and title design he had created for one of Alan Shayne’s television productions, “Alan and I agreed it was not a good idea for us to be seen together at an industry event,” he remembers. “Alan, after all, was one of the very few homosexuals who had such a powerful, high profile job, and who lived openly with a man. Homophobia had its adherents and some ruthless climber up the executive ladder would certainly love an opportunity to use it… 'Better to be seen with a woman,’ we were advised by a very trusted friend, ‘Makes everyone more comfortable.”

“As an artist in the 1960s, Norman Sunshine was able to maintain a moderately out lifestyle. But when the first exhibition of his paintings in New York brought on a profile in The New York Times in 1968, he was photographed in the apartment that he admitted sharing with Shayne. At both his advertising agency and Shayne’s television production company, the article was met with absolute silence.”

“If our love was a story book, we would meet on the very first page.”

“I don't like the darkness but I want to live in it, I don't want to have pains but I always have it, I want to live in good way, happy and very normal life but I just can't. Because it's not that thing which some one gave me and I didn't took from anybody or anything that's just my destiny.”

“We make a home for ourselves, every time we work on something: actors, writers, singers, building these little nests in our gypsy souls, in place of the ones we so seldom seem to make in our own lives. And then suddenly it's over, and we have to start again.”

“I love you Utanapishtim. Ziasudra. And if I die tonight, my only regret will be that we didn't have more time together. And if I die a thousand years from now, my only regret will be exactly the same.I love you, I love you. I love you”