“But what then is capital punishment but the most premeditated of murders, to which no criminal's deed, however calculated it may be, can be compared? For there to be equivalence, the death penalty would have to punish a criminal who had warned his victim of the date at which he would inflict a horrible death on him and who, from that moment onward, had confined him at his mercy for months. Such a monster is not encountered in private life.”

“We are living in the era of premeditation and the perfect crime. Our criminals are no longer helpless children who could plead love as their excuse. On the contrary, they are adults and the have the perfect alibi: philosophy, which can be used for any purpose - even for transforming murderers into judges.”

“He had loved is mother and his child, everything that it was not up to him to choose. And after all he, who had challenged everything, questioned everything, he had never loved anything except what was inevitable. The people fate had imposed on him, the world as it appeared to him, everything in his life he had not been able to avoid, his illness, his vocation, fame or poverty--in a word, his star. For the rest, for everything he had to choose, he made himself love, which is not the same thing. No doubt he had known the feeling of wonderment, passion, and even moments of tenderness. But each moment had sent him on to other moments, each person to others, and he had loved nothing he had chosen, except what was little by little imposed on him by circumstance, had lasted as much by accident as by intention, and finally became necessary: Jessica. The heart, the heart above all is not free. It is inevitability and the recognition of the inevitable. And he, in truth, had never wholeheartedly loved other than the inevitable. All that was left for him was to love his own death.”

“There comes a time in history when the man who dares to say that two and two make four is punished with death. The schoolteacher is well aware of this. And the question is not one of knowing what punishment or reward attends the making of this calculation. The question is that of knowing whether two and two do make four.”

“He realized now that to be afraid of this death he was staring at with animal terror meant to be afraid of life. Fear of dying justified a limitless attachment to what is alive in man. And all those who had not made the gestures necessary to live their lives, all those who feared and exalted impotence— they were afraid of death because of the sanction it gave to a life in which they had not been involved. They had not lived enough, never having lived at all. And death was a kind of gesture, forever withholding water from the traveler vainly seeking to slake his thirst. But for the others, it was the fatal and tender gesture that erases and denies, smiling at gratitude as at rebellion.”

“But again and again there comes a time in history when the man who dares to say that two and two make four is punished with death. The schoolteacher is well aware of this. And the question is not one of knowing what punishment or reward attends the making of this calculation. The question is one of knowing whether two and two do make four”

“He had never loved anything except what was inevitable. The people fate had imposed on him, the world as it appeared to him, everything in his life he had not been able to avoid...For the rest, for everything he had to choose, he made himself love, which is not the same thing. No doubt he had known the feeling of wonderment, passion, and even moments of tenderness. But each moment had sent him on to other moments, each person to others, and he had loved nothing he had chosen, except what was little by little imposed on him by circumstance, had lasted as much by accident as by intention, and finally became necessary: Jessica.”