“No one in this desert, neither he nor his guest, mattered. And yet, outside this desert neither of them, Daru knew, could have really lived.”

“There are no more deserts. There are no more islands. Yet thereis a need for them. In order to understand the world, one has to turnaway from it on occasion; in order to serve men better, one has tohold them at a distance for a time. But where can one find thesolitude necessary to vigor, the deep breath in which the mindcollects itself and courage gauges its strength?”

“And often he who has chosen the fate of the artist because he felt himself to be different soon realizes that he can maintain neither his art nor his difference unless he admits that he is like the others. The artist forges himself to the others, midway between the beauty he cannot do without and the community he cannot tear himself away from.”

“He wasn’t even sure he was alive, because he was living like a dead man. Whereas it looked as if I was the one who’d come up emptyhanded. But I was sure about me, about everything, surer than he could ever be, sure of my life and sure of my death I had waiting for me… I had been right, I was still right, I was always right. I had lived my life one way and I could just as well have lived it another. I had done this and I hadn’t done that… Nothing, nothing mattered, and I knew why. So did he. Throughout the whole absurd life I’ve lived, a dark wind had been rising toward me from somewhere deep in my future, across years that were still to come, and as it passed, this wind leveled whatever was offered to me at the time, in years no more real than the ones I was living. What did other people’s deaths or a mother’s love matter to me; what did his God or the lives people choose or the fate they think they elect matter to me when we’re all elected by the same fate, me and billions of privileged people like him who also called themselves my brothers?”

“Heaven and earth. Our reason has driven all away. Alone at last, we end up by ruling over a desert. What imagination could we have left for that higher equilibrium in which nature balanced history, beauty, virtue, and which applied the music of numbers even to blood-tragedy? We turn our backs on nature; we are ashamed of beauty. Our wretched tragedies have a smell of theoffice clinging to them, and the blood that trickles from them is the color of printer’s ink.”

“I leave Sisyphus at the foot of the mountain. One always finds one's burden again. But Sisyphus teaches the higher fidelity that negates the gods and raises rocks. He too concludes that all is well. This universe henceforth without a master seems to him neither sterile nor futile. Each atom of that stone, each mineral flake of that night-filled mountain, in itself, forms a world. The struggle itself toward the heights is enough to fill a man's heart. One must imagine Sisyphus happy.”

“At that moment he knew what his mother was thinking, and that she loved him. But he knew, too, that to love someone means relatively little; or, rather, that love is never strong enough to find the words befitting it. Thus he and his mother would always love each other silently. And one day she--or he--would die, without ever, all their lives long, having gone farther than this by way of making their affection known.”