“Stories that pander to your every readerly desire and whim are like overly loyal dogs that live for the simple glow of your approval. I'm a cat person. I like a little aloofness in my pets and my writing.”

“Oh, but I like my geese. Like cats, they can't be told what to do, and like dogs, they're loyal, and like people, they talk every chance they get.”

“Did I ever tell you my pet peeve?'No,' I said.People who dress up their pets to look like Little Lord Fauntleroys or cowboys, clowns, ballerinas. As if it's not enough just to be a dog or cat or turtle.”

“The pleasures of being a novelist are many.  But the greatest by far is the manner in which I live through my characters; experiencing every detail of their story as it unfolds gradually and personally within my own creative psyche.  I'm like a cat with untold lives, because each new book is my rebirth.”

“My standard for verisimilitude is simple and I came to it when I started to write prose narrative: fuck the average reader. I was always told to write for the average reader in my newspaper life. The average reader, as they meant it, was some suburban white subscriber with two-point-whatever kids and three-point-whatever cars and a dog and a cat and lawn furniture. He knows nothing and he needs everything explained to him right away, so that exposition becomes this incredible, story-killing burden. Fuck him. Fuck him to hell.”

“In August of 1998, I completed Seize the Night, the sequel to my novel Fear Nothing, one of many of my books in which a dog is among the cast of principal characters. Every time I wrote a story that included a canine, my yearning for a dog grew. Readers and critics alike said I had an uncanny knack for writing convincingly about dogs and even for writing from a dog's point of view. When a story contained a canine character, I always felt especially inspired, as if some angel watching over me was trying to tell me that dogs were a fundamental part of my destiny if only I would listen.”