“Can you say something about nothing?”

“I'm pretty good at inventing phrases- you know, the sort of words that suddenly make you jump, almost as though you'd sat on a pin, they seem so new and exciting even though they're about something hypnopaedically obvious. But that doesn't seem enough. It's not enough for the phrases to be good; what you make with them ought to be good too...I feel I could do something much more important. Yes, and more intense, more violent. But what? What is there more important to say? And how can one be violent about the sort of things one's expected to write about? Words can be like X-rays, if you use them properly-they'll go through anything. You read them and you're pierced. That's one of the things I try to teach my students-how to write piercingly. But what on earth's the good of being pierced by an article about a Community Sing, or the latest improvement in scent organs? Besides, can you make words really piercing-you know, like the very hardest X-rays when you're writing about that sort of thing? Can you say something about nothing?”

“he had been making an unsuccessful effort to write something about nothing in particular”

“All that happens means something; nothing you do is ever insignificant.”

“I'm thinking of a queer feeling I sometimes get, a feeling that I've got something to say and the power to say it -- only I don't know what it is, and I can't make use of the power. If there was some different way of writing...Or else something else to write about.”

“I can sympathize with people's pains, but not with their pleasure. There is something curiously boring about somebody else's happiness.”

“Because it is idiotic. Writing when there's nothing to say...”