“He can go about his business, so completely satisfied to see and be part of the divine Order of Things that he will never even be tempted. When all things are perceived as infinite and holy, what motive can we have for covetousness, for drearier forms of pleasure?”

“During his long career as an agitator, Hitler had studied the effects of herd-poison and had learned how to exploit them for his own purposes. He had discovered that the orator can appeal to those "hidden forces" which motivate men's actions, much more effec­tively than can the writer. Reading is a private, not a collective activity. The writer speaks only to indi­viduals, sitting by themselves in a state of normal sobriety. The orator speaks to masses of individuals, already well primed with herd-poison. They are at his mercy and, if he knows his business, he can do what he likes with them. ”

“Pleasure cannot be shared; like Pain, it can only be experienced or inflicted, and when we give Pleasure to our Lovers or bestow Charity upon the Needy, we do so, not to gratify the object of our Benevolence, but only ourselves. For the Truth is that we are kind for the same reason as we are cruel, in order that we may enhance the sense of our own Power....”

“Success went fizzily to Bernard's head, and in the process completely reconciled him (as any good intoxicant should do) to a world which, up till then, he had found very unsatisfactory. In so far as it recognized him as important, the order of things was good.”

“He wished to ignore all but here and now, to be as though he had only just entered the world and were destined to be eternal. Bus his memory survived, even though he never deliberately made use of it; and though the things which had been Isabels were destoryed, he could not guard against chance reminders. Chance had found many gaps in his defenses this morning.”

“I'm pretty good at inventing phrases- you know, the sort of words that suddenly make you jump, almost as though you'd sat on a pin, they seem so new and exciting even though they're about something hypnopaedically obvious. But that doesn't seem enough. It's not enough for the phrases to be good; what you make with them ought to be good too...I feel I could do something much more important. Yes, and more intense, more violent. But what? What is there more important to say? And how can one be violent about the sort of things one's expected to write about? Words can be like X-rays, if you use them properly-they'll go through anything. You read them and you're pierced. That's one of the things I try to teach my students-how to write piercingly. But what on earth's the good of being pierced by an article about a Community Sing, or the latest improvement in scent organs? Besides, can you make words really piercing-you know, like the very hardest X-rays when you're writing about that sort of thing? Can you say something about nothing?”

“The silence of the storm weighs heavilyOn their strained spirits: sometimes one will saySome trivial thing as though to ward awayMysterious powers, that imminently lieIn wait, with the strong exorcising graceOf everyday's futility. DesireBecomes upon a sudden a crystal fire,Defined and hard: If he could kiss her face,Could kiss her hair! As if by chance, her handBrushes on his ... Ah, can she understand?Or is she pedestalled above the touchOf his desire? He wonders: dare he seekFrom her that little, that infinitely much?And suddenly she kissed him on the cheek.”