“They pretended they were trying to dissuade people from vice by enumerating its horrors. But they were really only making it more spicy by telling the truth about it. O esca vermium, O massa pulveris! What nauseating embracements! To conjugate the copulative verb, boringly, with a sack of tripes – what could be more exquisitely and piercingly and deliriously vile?”

“I'm pretty good at inventing phrases- you know, the sort of words that suddenly make you jump, almost as though you'd sat on a pin, they seem so new and exciting even though they're about something hypnopaedically obvious. But that doesn't seem enough. It's not enough for the phrases to be good; what you make with them ought to be good too...I feel I could do something much more important. Yes, and more intense, more violent. But what? What is there more important to say? And how can one be violent about the sort of things one's expected to write about? Words can be like X-rays, if you use them properly-they'll go through anything. You read them and you're pierced. That's one of the things I try to teach my students-how to write piercingly. But what on earth's the good of being pierced by an article about a Community Sing, or the latest improvement in scent organs? Besides, can you make words really piercing-you know, like the very hardest X-rays when you're writing about that sort of thing? Can you say something about nothing?”

“And it's what you never will write," said the Controller. "Because, if it were really like Othello nobody could understand it, however new it might be. And if were new, it couldn't possibly be like Othello.”

“And while you were paying attention to these things, you were momentarily delivered from daydreams, from memories, from anticiaptions, from silly notions - from all the symptoms of you.""Isn't tasting me?"..."I'd say it was halfway between me and not-me. Tasting is not-me doing something for the whole organism. And at the same time tasting is me being conscious of what's happening. And that's the point of our chewing-grace - to make the me more conscious of what the not-me is up to.”

“Mother, monogamy, romance. High spurts the fountain; fierce and foamy the wild jet. The urge has but a single outlet. My love, my baby. No wonder those poor pre-moderns were mad and wicked and miserable. Their world didn’t allow them to take things easily, didn’t allow them to be sane, virtuous, happy. What with mothers and lovers, what with the prohibitions they were not conditioned to obey, what with the temptations and the lonely remorses, what with all the diseases and the endless isolating pain, what with the uncertainties and the poverty—they were forced to feel strongly. And feeling strongly (and strongly, what was more, in solitude, in hopelessly individual isolation), how could they be stable?”

“O brave new world that has such people in it.”

“O wonder!' he was saying; and his eyes shone, his face was brightly flushed. 'How many goodly creatures are there here! How beauteous mankind is! ... O brave new world! O brave new world that has such people in it.”