“I am very self-conscious as I step over the backpacks strewn in the aisle. Do not fall.Do not fall.”

“They are very large in effect, these painters; very little self-conscious; they have smooth broad spaces in their minds where I am all prickles & promontories.”

“this is love. I have my self-consciousness not in myself but in the other. I am satisfied and have peace with myself only in this other and I AM only because I have peace with myself; if I did not have it then I would be a contradiction that falls to pieces. This other, because it likewise exists outside itself, has its self-consciousness only in me; and both the other and I are only this consciousness of being-outside-ourselves and of our identity; we are only this intuition, feeling, and knowledge of our unity. This is love, and without knowing that love is both a distinguishing and the sublation of this distinction, one speaks emptily of it.”

“So here I am in step with everyone now, and yet I'm still separate from everyone. I am still trembling all over from the agitation I endured, like a bridge after an ancient train has rumbled over it. I am aware of myself. And, of course, the only things that are aware of themselves and conscious of their individuality are irritated eyes, cut fingers, sore teeth. A healthy eye, finger, tooth might as well not even be there. Isn't it clear that individual consciousness is just sickness?”

“...I sense that stepping into the light is also a powerful metaphor for consciousness, for the birth of the knowing mind, for the simple and yet momentous coming of the sense of self into the world of the mental.”

“When it happens, this is what happens: I shoot myself.Not, you know, my self self. I shoot my future self. He steps out of a time machine, introduces himself as Charles Yu. What else am I supposed to do? I kill him. I kill my own future.”