“The novel belongs to our parents, I thought then, I think now. That's what we grew up believing, that the novel belonged to our parents. We cursed them, and also took refuge in their shadows, relieved. While the adults killed or were killed, we drew pictures in a corner. While the country was falling to pieces, we were learning to talk, to walk, to fold napkins in the shapes of boats, of airplanes. While the novel was happening, we played hide-and-seek, we played at disappearing.”

“In reading a novel, any novel, we have to know perfectly well that the whole thing is nonsense, and then, while reading, believe every word of it. Finally, when we're done with it, we may find - if it's a good novel - that we're a bit different from what we were before we read it, that we have changed a little... But it's very hard to say just what we learned, how we were changed.”

“While the subject matter is lynching, on a deeper level, this novel is about identity. Whom and what we identify ourselves with determines our characters, determines who we are, and what we do.”

“What's the purpose of being with someone if they don't change your life? She said that, and Julio was present when she said it: that life only had purpose if you found someone who changed it, who destroyed your life.”

“To read is to cover one's face. And to write is to show it.”

“Se ama para dejar de amar y se deja de amar para empezar a amar a otros, o para quedarse solos, por un rato o para siempre. Ese es el dogma. El único dogma.”

“¿Qué sentido tiene estar con alguien si no te cambia la vida? [...] la vida sólo tenía sentido si encontrabas a alguien que te la cambiara, que destruyera tu vida.”