“I gradually became aware that my interiority was inseparable from my exteriority, that the geography of my city was the geography of my soul.”

“Much like Ella, I'd found myself with an excess of words, the wealth of which far exceeded the pathetic limits of my own biography. I'd needed narrative space to to extend myself into; I'd needed more lives. I, too, had needed another set of parents, and someone other than myself to throw my metaphysical tantrums. I'd cooked up those avatars in the soup of my ever-changing self, but they were not me--they did what I wouldn't, or couldn't, do. Listening to Ella furiously and endlessly unfurl the Mingus tales, I understood that the need to tell stories was deeply embedded in our minds and inseparably entangled with the mechanisms that generate and absorb language. Narrative imagination--and therefore fiction--was a basic evolutionary tool of survival. We processed the world by telling stories, produced human knowledge through our engagement with imagined selves.”

“There is a logic [to my reading], but I can't define it. I like reading impulsively. I collect books, I have a lot of them, but most of them I have not read yet. I'll read them when they call me from the shelf.”

“My country's main exports are stolen cars and sadness.”

“When I look at my old pictures, all I can see is what I used to be but am no longer. I think: What I can see is what I am not.”

“She was beautiful; my breath was taken; we were still lonely; she said yes.”

“I spotted a can in the corner whose red label read SADNESS. Was there so much of it they could can it and sell it? A bolt of pain went through my intestines before I realized that it was not SADNESS but SARDINES.”