“What? Listen,you..."And then, strangely enough, she calls me a female dog.”

“Listen.” The voice is extremely loud, and I am forced to hold the telephone away from my ear. “I don’t know who you are, or why you have Jack’s phone, but he is my boyfriend, and—”Boyfriend? What is a boyfriend? Perhaps it is something like a beau. “Is he engaged to you, then?” I hope not.“What? No. Of course not.”“Oh, what a relief. He is my true love, and you do not sound very nice.”“What? Listen, you . . .”And then, strangely enough, she calls me a female dog.”

“It's strange though. People make such a big deal about looks, but after a while, when you know someone, you don't even notice anymore, do you? It's just the way they look.”

“She's using me. And I like it.”

“A memory came to me. One time, in middle school, a famous author came to talk to our class and give a writing workshop. One of the things she told us about writing a novel was that the story should be about what the main character wants. Dorothy wants to go home to Kansas. George Milton wants a farm of his own. Amelia Sedley wants to marry her darling George and live happily ever after. The end of the story, according to the famous author, is when the character either gests what he wants or realizes he’s never going to get it. Or sometimes, she said, like Scarlett O’Hara in Gone With the Wind, realizes she doesn’t actually want what she thought she wanted all along. pg. 324 of Bewitching”

“Talia: I was brought up to respect older people and peasants...not that you're...Jack: (clears throat) Quit while you’re aheadMeryl: Ahead? She just called mom and old peasant.”

“Better?" I went from holding her hand to hugging her. "Lindy, you loved me when I wasn't even human.You kissed me when I had no lips. You saw what was deep down inside me when I wasn't even sureabout it myself. Believe me, there's no way I could do better. I think you're perfect.”