“When I was a boy and I sang, my voice felt to me like a leak sprung from a small and secret star hidden somewhere in my chest and whatever there was about me that was fragile disappeared when my mouth opened and I let the voice out. We learned, we were prisons for our voices. You could want to try and make sure the door was always opened... We weren't something struck to make a tone. We were strike and instrument both. If you can hold the air and shake it to make something, you learn, maybe you can make anything. Maybe you can walk out of here on this thin, thin air.”

“Let’s try it,” he said. “This is serious,” she said. “You could get hurt. Or die.” “But if we can touch, that means we can make out, right?” he asked. “Maybe.” “You want me to risk my life for maybe?” He grinned.”

“Because you make me better. You make me-you make me feel like I matter. Like my life matters. I feel like, with you, I can do anything in the world. That we can do anything in the world. And we will.”

“Maybe we were together in another life...in a parallel universe, maybe our paths are not supposed to cross twice, maybe your arms are not supposed to go around me. I hear about you now & then, I wonder where you are & how you feel. Sometimes I walk by & I look up to your balcony, just to make sure you were real-just to make sure that I can still feel you...it appears to me that Destiny Rules...”

“What could you give me," I ask, my voice shaking, "to make me forget ... that you forgot about me?”

“Away in the distance, a train appeared behind the trees, all its compartments were lit, the windows were sure to be open. One of us started singing a ballad, but we all wanted to sing. We sang far quicker than the speed of the train, we swung our arms because our voices weren't enough, our voices got into a tangle where we felt happy. If you mix your voice with others' voices, you feel as though you're caught on a hook. (trans. Michael Hofmann)”