“Conversation, to take another example, is one of the common pleasures of life, but not all conversation is pleasurable. The stutterer finds talking painful, and the listener is equally pained. Persons who are inhibited in expressing feeling are not good conversationalists. Nothing is more boring than to listen to a person talk in a monotone without feeling. We enjoy a conversation when there is a communication of feeling. We have pleasure in expressing our feelings, and we respond pleasurably to another person's expression of feeling. The voice, like the body, is a medium through which feeling flows, and when this flow occurs in an easy and rhythmic manner, it is a pleasure both to the speaker and listener.”

“As adults, we hvae many inhibitions against crying. We feel it is an expression of weakness, or femininity or of childishness. The person who is afraid to cry is afraid of pleasure. This is because the person who is afraid to cry holds himself together rigidly so that he won't cry; that is, the rigid person is as afraid of pleasure as he is afraid to cry. In a situation of pleasure he will become anxious. As his tensions relax he will begin to tremble and shake, and he will attempt to control this trembling so as not to break down in tears. His anxiety is nothing more than the conflict between his desire to let go and his fear of letting go. This conflict will arise whenever the pleasure is strong enough to threaten his rigidity.Since rigidity develops as a means to block out painful sensations, the release of rigidity or the restoration of the natural motility of the body will bring these painful sensations to the fore. Somewhere in his unconscious the neurotic individual is aware that pleasure can evoke the repressed ghosts of the past. It could be that such a situation is responsible for the adage "No pleasure without pain.”

“Pleasure is never as pleasant as we expected it to be and pain is always more painful. The pain in the world always outweighs the pleasure. If you don't believe it, compare the respective feelings of two animals, one of which is eating the other.”

“Why is music capable of inflicting such pain? Because it works on our feelings directly. No ideas interfere with its emotions. This is why "all art aspires to the condition of music." The symphony gives us the thrill of uncertainty--the pleasurable anxiety of searching for a pattern--but without the risks of real life. When we listen to music, we are moved by an abstraction. We feel, but we don't know why.”

“The more a thing is perfect, the more it feels pleasure and pain.”

“What do you have against happiness?” said the man.“Nothing, I guess.”“Then don’t talk about things you don’t know. There’s no reason you shouldn’t let your feelings flourish. Is it not the ultimate act to feel the greatest happiness? If pain is evil, then is not happiness good? Happiness is how we measure the worth of good things. The more pleasure we feel, the happier we are.”“Yes, but true goodness transcends what one can eat and feel,” said Jeskun, remembering his teacher’s words. “I don’t disagree that happiness is the greatest good; I just don’t agree with the objects of your pleasure. The ultimate pleasure is infinite, and all you have to offer me are things that rot. Your happiness, your pleasure, is merely temporary, and in the end it only leads to more suffering.”-Along the Many Houses of Damnation.”