“He looked at her in the darkness, at this woman who was everything to him-mother, Africa, wisdom, understanding, good things to eat, pumpkins, chicken, the white sky across the endless, endless bush, and the giraffe that cried, giving its tears for women to daub on their baskets; O Botswana, my country, my place.”

“Mma Ramotswe had a gift for the American woman, a basket which on her return journey from Bulawayo she had bought, on impulse, from a woman sitting by the side of the road in Francistown. The woman was desperate, and Mma Ramotswe, who did not need a basket, had bought it to help her. It was a traditional Botswana basket, with a design worked into the weaving."These little marks here are tears," she said. "The giraffe gives its tears to the women and they weave them into the basket."The American woman took the basket politely, in the proper Botswana way of receiving a gift with both hands. How rude were people who took a gift with one hand, as if snatching it from the donor; she knew better.You are very kind, Mma," she said. "But why did the giraffe give its tears?"Mma Ramotswe shrugged; she had never thought about it. "I suppose that it means that we can all give something," she said. "A giraffe has nothing else to give--only tears." Did it mean that? she wondered. And for a moment she imagined that she saw a giraffe peering down through the trees, its strange stilt-borne body among the leaves; and its moist velvet cheeks and liquid eyes; and she thought of all the beauty that there was in Africa, and of the laughter, and the love. The boy looked at the basket. "Is that true, Mma?"Mma Ramotswe smiled. "I hope so," she said.”

“Everything, all those great things, had happened so far away--or so it seemed to [Mma Ramotswe] at the time. The world was made to sound as if it belonged to other people--to those who lived in distant countries that were so different from Botswana; that was before people had learned to assert that the world was theirs too, that what happened in Botswana was every bit as important, and valuable, as what happened anywhere else.”

“As a girl she had imagined the Milky Way was the curtain of heaven, a notion she had been sorry to abandon as she had grown up. But she would not abandon a belief in heaven itself, wherever that may be, because she felt that if she gave that up then there would be very little left. Heaven may not turn out to be the place of her imagining, she conceded--the place envisaged in the old Botswana stories, a place inhabited by gentle white cattle, with sweet breath--but it would surely be something not too unlike that, at least in the way it felt; a place where late people would be give all that they had lacked on this earth--a place of love for those who had not been loved, a place where those who had had nothing would find they had everything the human heart could desire.”

“Traditional Botswana men like ladies who are more traditionally shaped. You and I, Mma. We remind men of how things used to be in Botswana before these modern-shaped ladies started to get men all confused.”

“It was time to take the pumpkin out of the pot and eat it. In the final analysis, that was what solved these big problems of life. You could think and think and get nowhere, but you still had to eat your pumpkin. That brought you down to earth. That gave you a reason for going on. Pumpkin.”

“Mma Ramotswe had a detective agency in Africa, at the foot of Kgale Hill. These were its assets: a tiny white van, two desks, two chairs, a telephone, and an old typewriter. Then there was a teapot, in which Mma Ramotswe – the only lady private detective in Botswana – brewed redbush tea. And three mugs – one for herself, one for her secretary, and one for the client. What else does a detective agency really need? Detective agencies rely on human intuition and intelligence, both of which Mma Ramotswe had in abundance. No inventory would ever include those, of course.”