“Look at those clouds," said Jamie, gazing up at the sky. "Look at them." "Yes," said Isabel. "They're very beautiful, aren't they? Clouds are very beautiful and yet so often we fail to appreciate them properly. We should do that. We should look at them and think about how lucky we are to have them." "Look at the shape of the clouds," she said. "What do you see in those beautiful clouds, Jamie?""I see you," he said.”

“Artists were allowed to do that - to look, to gaze at others and try to find out what it was that they were feeling - but we, who were not artists, were not. If one looked too hard that would be considered voyeurism, or nosienss, which is what Cat, her neice, had accused her of more than once. Jamie - the boyfriend rejected by Cat but kept on by Isabel as a friend - had done the same althought more tactfully. He had said that she needed to draw a line in the world with me written on one side and you on the other. Me would be her business; you would be the business of others, and an invitation would be required to cross the line.She had said to Jamie: "Not a good idea, Jamie. What if people on the other side of the line are in trouble?"That's different," he said. "You help them."By streching a hand across this line of yours?"Of course. Helping people is different."She had said: "But then we have to know what they need, don't we? We have to be aware of others. If we went about concerned with only our own little world, how would we know when there was trouble brewing on the other side of the line?”

“We find what we are looking for in life, her father had once said to her, which was true—if you look for happiness, you will see it; if you look for distrust and envy and hatred—all those things—you will find those too.”

“They passed the rest of the journey in silence, not because of any awkwardness, but because neither wished conversation to break the spell that the unfolding Highland landscape was weaving about them. And what remarks were needed here? If one listens to the talk of people looking at scenes of great natural beauty, their words are often revealing. “Isn’t it beautiful?” is what is most frequently said; to which the reply, ‘Yes, beautiful,” adds little. What is happening, of course, is a sharing. We wish to share beauty as if it were a discovery; but one can share in silence, and perhaps the sharing is all the more powerful for it.”

“And see those clouds?''Hard to miss''Those are cumulus clouds. Did you know that?''I'm sure I should.'They're the best ones.''How come?'Because they look the way clouds are supposed to look, the way you draw them when you're a kid. Which is nice, you know? ...”

“...this woman, moved by some private sorrow as much as the words being spoken, cried almost silently, unobserved by others, apart from Mma Ramotswe, who stretched out her hand and laid it on her shoulder. Do not cry, Mma, she began to whisper, but changed her words even as she uttered them, and said quietly, Yes, you can cry, Mma. We should not tell people not to weep - we do it because of our sympathy for them - but we should really tell them that their tears are justified and entirely right.”

“He seemed genuinely astonished. "You admire me?""Yes," she said gravely. "All of us do things we regret--that's part of being human. And sometimes, I think, moral quality reveals itself not so much in what we do, but in what we later say about what we have done....”