“They passed the rest of the journey in silence, not because of any awkwardness, but because neither wished conversation to break the spell that the unfolding Highland landscape was weaving about them. And what remarks were needed here? If one listens to the talk of people looking at scenes of great natural beauty, their words are often revealing. “Isn’t it beautiful?” is what is most frequently said; to which the reply, ‘Yes, beautiful,” adds little. What is happening, of course, is a sharing. We wish to share beauty as if it were a discovery; but one can share in silence, and perhaps the sharing is all the more powerful for it.”
“Why do you want to keep this beauty for yourself? Why don’t you want to share it? The world is made of shared grace and harmony. Look at the sun shining, at the bees flying, the flowers blossoming. What would happen if they were ashamed like you are? No beauty would be revealed. We would live in an eternal shadow of what could exist.”
“If you were all alone in the universe with no one to talk to, no one with which to share the beauty of the stars, to laugh with, to touch, what would be your purpose in life? It is other life; it is love, which gives your life meaning. This is harmony. We must discover the joy of each other, the joy of challenge, the joy of growth.”
“...the best way to know the Truth or Beauty is to try to express it. And what is the purpose of existence Here or Yonder but to discover truth and beauty and express it, i.e., share it with others?”
“Music is a form that tends to give shape to rules, social mores, social attitudes, feelings—it does this in a very beautiful, fluid way. To me the issue of form and formlessness is most strong in the theme of mortality versus a human wish for immortality of a sort. Take, for example, the definition of beauty in fashion. Remember what Alison says at the beginning? She says when she was young she didn’t know what beautiful was. She looked at this woman who everyone was saying was beautiful and she didn’t even know what they were talking about. I experienced that when I was a child. If I loved someone I thought they were really beautiful. And then eventually, I began to get it, the social concept of beauty. Not that I think beautiful is completely imaginary, but beauty is so wide ranging and fluid. Yet there’s a need to say: “This is what it is, and it’s not changing; we’re taking a picture of it to hold it still.” It’s like an impulse to put up a building meant to last forever. An urge to grab and hold something in place when nothing human can be grabbed and held in place. We come into these physical bodies . . . whatever we are takes this shape that is so particular and distinct—eyes, nose, mouth—and then it gradually begins to disintegrate. Eventually it’s going to dissolve completely. It’s a huge problem for people; we can understand it, but it breaks our hearts. And so we’re constantly trying to pin something down or leave a trace that will last forever. “And this is the only immortality you and I may share, my Lolita . . .” What other immortality will anyone share?”
“When food came in, the human beings were quiet and trusting and beautiful. They shared.”