“Once, I discovered the skulls of two impala rams, their horns locked into an irreversible figure-of-eight; the two animals had been trapped in combat, latched to each other during the battle of the rut. The harder they had pulled to escape from each other, the more intractably stuck they were, until they had fallen exhausted, to their knees, in an embrace of hatred that had killed them both. When I picked up the skulls to add to my growing collection of what Vanessa called "Bobo's smelly pile," the hooked horns fell away from each other and the story of the impalas' death struggle was undone.”

“She treated Vanessa and me as if we were visiting budgerigars that needed to be fed and then put somewhere dark for the night.”

“You can't rewind war. It spools on, and on, and on, looping and jumping, distorted and cracked with age, and the stories contract until only the nuggets of hatred remain and no one can even remember, or imagine, why the war was organized in the first place.”

“Rhett glanced over his shoulder as if there had been a sound. His eyes met hers, and surprise stiffened his lithe body. For a long immeasurable moment the two of them looked at each other while the space between them widened. Then blandness smoothed Rhett's face as he touched two fingers to his hat brim in salute. Scarlett lifted her hand.”

“And then, leaning slowly towards him, she did something she realised she'd been wanting to do for such a long time. She kissed him. For a second he hesitated, before letting himself fall with her, and, pulling her close, he wrapped his arms around her, pressing her to him. Breathing her in. His lips against hers. Tongue against tongue. Eyes closed. Hearts thudding. Deep, long, hungry kisses born out of the lack of any feelings of self-consciousness or embarrassment. Just two people wanting each other. Holding each other. Kissing the life out of each other. It had been a long time coming.”

“What is important is the story. Because when we are all dust and teeth and kicked-up bits of skin - when we're dancing with our own skeletons - our words might be all that's left of us.”

“It was the first time in a half century that they had been so close and had enough time to look at each other with some serenity and they had seen each other for what they were: two old people, ambushed by death, who had nothing in common except the mercy of an ephemeral past that was no longer theirs but belonged to two young people who had vanished and who could have been their grandchildren.”