“Her delight in the smallest things was like that of a child. There were days when she ran in the garden, like a child of ten, after a butterfly or a dragon-fly. This courtesan who had cost more money in bouquets than would have kept a whole family in comfort, would sometimes sit on the grass for an hour, examining the simple flower whose name she bore.”

“She liked being reminded of butterflies. She remembered being six or seven and crying over the fates of the butterflies in her yard after learning that they lived for only a few days. Her mother had comforted her and told her not to be sad for the butterflies, that just because their lives were short didn't mean they were tragic. Watching them flying in the warm sun among the daisies in their garden, her mother had said to her, see, they have a beautiful life. Alice liked remembering that.”

“She had born a child but two hours ago. She was so weak that she couldn't lift her head an inch from the pillow, yet it was she who comforted him and told him not to worry, that she would take care of him.”

“Not a single thought managed to take shape in her mind: for the likeness of this day to the last seemed to her the clearest proof that it would be another quite useless day, a day she would gladly have done without. For a moment she thought that a day like this would be pointless for anyone on earth, then abruptly changed her mind as she realised that thousands of women, after a hard week's work, or a family quarrel, or even just after catching a cold, would envy her just for having the leisure to rest in comfort.”

“Mrs. Kronborg was a strange woman. That word "talent", which no one else in Moonstone, not even Dr. Archie, would have understood, she comprehended perfectly. To any other woman there, it would have meant that a child must have her hair curled every day and must play in public. Mrs. Kronborg knew it meant that Thea must practice four hours a day. A child with talent must be kept at the piano, just as a child with measles must be kept under the blankets.”

“Sarah wondered what they—the ‘they’ who had taken her child; the ‘they’ or the ‘him’ or the ‘her’—were feeding him.Sometimes a fear dug at her until she acknowledged it: maybe they weren’t feeding him at all.Who would do that? Who would willingly starve a child? Who would hurt her baby? Who would take her baby? Who was this person and why were they allowed to exist?And what would I do to that person if I got the chance?There were days when she lay on the bed and concocted scenarios in her head. She would see herself finding Lockie. She was never really sure of the place. It would be a dark room in a dark house but the location wasn’t important. She would see herself rescuing her child, folding him in her arms and saying his name. Then she would see the person who had taken him.There was never a face, just a body with a blank head, but Sarah would see herself grow until she towered over the person and then she would hit and hit and hit until there was nothing left and all the time she would be screaming, ‘How dare you take my child? How dare you take him?’She had to find him. The desperate need to find him swirled around her body with everything she did. It ate into her soul and sometimes she had to hold on to the kitchen counter to stop herself running out into the road and screaming his name. She wanted to be looking for him all the time. She wanted to leave Sammy and Doug and just keep going until she got to the city and then she wanted to knock on every door across the whole of Sydney until she found her son. But maybe he wasn’t even in Sydney anymore. Maybe he wasn’t even in Australia. Where are you, Lockie? Where are you, where are you, where are you?”