“No. I will remain because I have been accustomed for thirty years to go and take the orderly word of the King, and to have it said to me, 'Good evening, d'Artagnan,' with a smile I did not beg for!”

“But that's not the name of a man, it's the name of a mountain! (...)"It is my name," Athos said calmly."But you said your name was d'Artagnan.""I?""Yes, you.""That is to say, someone said to me: 'You are M. d'Artagnan?' I replied: 'You think so?' My guards shouted that they were sure of it. I did not want to vex them. Besides, I might have been mistaken.”

“I know this simple fact to be true, for I myself have abandoned people who did not want me to go, and I myself have been abandoned by those whom I begged to stay.”

“I've been working hard on [Ulysses] all day," said Joyce. Does that mean that you have written a great deal?" I said. Two sentences," said Joyce. I looked sideways but Joyce was not smiling. I thought of [French novelist Gustave] Flaubert. "You've been seeking the mot juste?" I said. No," said Joyce. "I have the words already. What I am seeking is the perfect order of words in the sentence.”

“You have only to lift your hand,' Thorkel Fostri said. And after a moment, 'What else were you born for?''Why not happiness, like other men?" Thorfinn said.'You have that,' said his foster-father. 'But if you try to trap it, it will change. Why do you resist? It is your right.''I resist because it is no use resisting,' Thorfinn said. 'Do you not think that is unfair? I shall be King because I was King; and I shall die because I did die; and did I remember them, I could even tell what are the three ways it might befall me.”

“All I knew was what I wasn’t, and it took me some years to discover what I was.Which was a writer.By which I mean not a "good" writer or a "bad" writer but simply a writer, a person whose most absorbed and passionate hourse are spent arranging words on pieces of paper. Had my credentials been in order I would never have become a writer. Had I been blessed with even limited access to my own mind there would have been no reason to write. I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means. What I want and what I fear. Why did the oil refineries around Carquinez Straits seem sinister to me in the summer of 1956? Why have the night lights in the bevatron burned in my mind for twenty years? What is going on in these pictures in my mind?”