“the greater number of a man's errors come before him disguised under the specious form of necessity; then, after error has been committed in a moment of excitement, of delirium, or of fear, we see that we might have avoided and escaped it.”

“The great error consists in supposing that poetry is an unnatural form of language. We should all like to speak poetry at the moment when we truly live, and if we do not speak it, it is because we have an impediment in our speech. It is not song that is the narrow or artificial thing, it is conversation that is a broken and stammering attempt at song. When we see men in a spiritual extravaganza, like Cyrano de Bergerac, speaking in rhyme, it is not our language disguised or distorted, but our language rounded and made whole.”

“Dagny, we can never lose the things we live for. We may have to change their form at times, if we've made an error, but the purpose remains the same and the forms are ours to make.”

“Error is related to truth as sleeping is to waking. I have observed that when one has been in error, one turns to truth as though revitalized.”

“Somebody might have come along that way who would have asked him his trouble, and might have cheered him by saying that his notions were further advanced than those of his grammarian. But nobody did come, because nobody does; and under the crushing recognition of his gigantic error Jude continued to wish himself out of the world.”

“These are attitudes masquerading as ideas, emotional commitments disguised as intellectual honesty. However sincere the current evangelists of unbelief may be, they are doing nothing more than producing rationales--ballasted by a formidable collection of conceptual and historical errors--for convictions that are rooted not in reason but in a greater cultural will, of which their arguments are only reflexes.”