“...we pretend to be grown up and responsible; we are so proud and self-assured--and look at the result. The world lies in bomb dust and ruins about us.”

“Why do we fall? So we can learn to pick ourselves up.”

“I quickly got used to being picked up by my mother, and taken to the air raid shelter near our home. Although frightening, this was a great adventure to me as a child, for in the shelter I played with the other children and we felt safe there as we were surrounded by grown-ups; although now the grown-ups were more worried than they had been in the past. There were greater feelings of anxiety and fear in the older people, which we children also felt, and it unsettled us all.”

“But you never knew where the bombs would fall in the dark, so night bombing was even more frightening than daylight bombing. Let’s just say, it scared the living daylights out of us!”

“There is a distinct difference between "suspense" and "surprise," and yet many pictures continually confuse the two. I'll explain what I mean. We are now having a very innocent little chat. Let's suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, "Boom!" There is an explosion. The public is surprised, but prior to this surprise, it has seen an absolutely ordinary scene, of no special consequence. Now, let us take a suspense situation. The bomb is underneath the table and the public knows it, probably because they have seen the anarchist place it there. The public is aware the bomb is going to explode at one o'clock and there is a clock in the decor. The public can see that it is a quarter to one. In these conditions, the same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: "You shouldn't be talking about such trivial matters. There is a bomb beneath you and it is about to explode!" In the first case we have given the public fifteen seconds of surprise at the moment of the explosion. In the second we have provided them with fifteen minutes of suspense. The conclusion is that whenever possible the public must be informed. Except when the surprise is a twist, that is, when the unexpected ending is, in itself, the highlight of the story.”

“Children accept the conditions they are born into, and, to a degree, I was getting used to the bombings, fires, and death around me. I remember that I thought those things were normal. It is grown-ups who worry about things, and this ... this was total panic! I could taste the fear, and I could see that my mother was frightened, which I had never seen before, and this made me even more frightened.”

“Oh, grown-ups cannot understand,And grown-ups never will,How short the way to fairylandAcross the purple hill.”