“We have followed the general practice in referring to the nominative form as a "case" among four other cases. However, some modern grammarians have developed an account which goes back to Aristotle and according to which the term "noun" ('onoma') should be reserved for the nominative form, which names ('onomazein') simply, with no indication of a relation to other elements in the sentence. From its base (or "upright" or "straight" -- 'orthe', 'eutheia') form and function, a noun may undergo a "fall" ('ptosis', Latin 'casus', whence English 'case') or "inclination" ('klisis', from 'klino') towards other elements within the sentence. The roster of such fallings off is called a 'declension'. Although it is convenient to include the nominative form among the "cases," we shall occasionally refer to the other four as the 'oblique' cases.”

“The neuter nominative and accusative endings are the same in the singular and the plural. This is true of all neuter nouns, adjectives and pronouns. It might be more accurate to say that the neuter noun "borrows" its nominative forms from the accusative. In contrast to animate (male or female) beings which can be agents, inanimate "things" were regarded not so much as agents as objects of action. Thus, the terms for small children ('teknon', 'paidion') have the neuter gender, inasmuch as they have not yet acquired the full powers of agents.”

“Lacking a verb, a nominal sentence has no built-in reference to the speaker or the occasion of speaking. Accordingly, nominal sentences are best suited to the impersonal and timeless character of maxims or folk-sayings (compare 'Finders keepers, losers weepers', with which children attempt to justify sudden appropriations through an appeal to ageless custom).”

“Homeopathy cures a larger percentage of cases than any other form of treatment and is beyond doubt safer and more economical.”

“There are objects made up of two sense elements, one visual, the other auditory—the colour of a sunrise and the distant call of a bird. Other objects are made up of many elements—the sun, the water against the swimmer's chest, the vague quivering pink which one sees when the eyes are closed, the feeling of being swept away by a river or by sleep. These second degree objects can be combined with others; using certain abbreviations, the process is practically an infinite one. There are famous poems made up of one enormous word, a word which in truth forms a poetic object, the creation of the writer. The fact that no one believes that nouns refer to an actual reality means, paradoxically enough, that there is no limit to the numbers of them.”

“My external sensations are no less private to myself than are my thoughts or my feelings. In either case my experience falls within my own circle, a circle closed on the outside; and, with all its elements alike, every sphere is opaque to the others which surround it. . . . In brief, regarded as an existence which appears in a soul, the whole world for each is peculiar and private to that soul.”