“It is all about a girl who is more interested in politics than in love... the Russian censors will not let it be published and the world outside will not want it because it is so Russian.”

“I saw how the forms of love might be maintained with a condemned person but with the love in fact measured and disciplined, because you have to survive. It could be done so discreetly that the object of such care would not suspect, any more than she would suspect the sentence of death itself.”

“His face contained for me all possibilities of fierceness and sweetness, pride and submissiveness, violence, self-containment. I never saw more in it than I had when I saw it first, because I saw everything then. The whole thing in him that I was going to love, and never catch or explain.”

“She could not explain or quite understand that it wasn't altogether jealousy she felt, it was rage. And not because she couldn't shop like that or dress like that. It was because that was what girls were supposed to be like. That was what men - people, everybody - thought they should be like. Beautiful, treasured, spoiled, selfish, pea-brained. That was what a girl should be, to be fallen in love with. Then she would become a mother and she'd be all mushily devoted to her babies. Not selfish anymore, but just as pea-brained. Forever.”

“I was amazed as people must be who are seized and kidnapped, and who realize that in the strange world of their captors they have a value absolutely unconnected with anything they know about themselves.”

“What if people really did that - sent their love through the mail to get rid of it? What would it be that they sent? A box of chocolates with centers like the yolks of turkey eggs. A mud doll with hollow eye sockets. A heap of roses slightly more fragrant than rotten. A package wrapped in bloody newspaper that nobody would want to open.”

“A story is not like a road to follow … it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside is altered by being viewed from these windows. And you, the visitor, the reader, are altered as well by being in this enclosed space, whether it is ample and easy or full of crooked turns, or sparsely or opulently furnished. You can go back again and again, and the house, the story, always contains more than you saw the last time. It also has a sturdy sense of itself of being built out of its own necessity, not just to shelter or beguile you.”