“How could poetry and literature have arisen from something as plebian as the cuneiform equivalent of grocery-store bar codes? I prefer the version in which Prometheus brought writing to man from the gods. But then I remind myself that…we should not be too fastidious about where great ideas come from. Ultimately, they all come from a wrinkled organ that at its healthiest has the color and consistency of toothpaste, and in the end only withers and dies.”

“The scientist in me worries that my happiness is nothing more than a symptom of bipolar disease, hypergraphia from a postpartum disorder. The rest of me thinks that artificially splitting off the scientist in me from the writer in me is actually a kind of cultural bipolar disorder, one that too many of us have. The scientist asks how I can call my writing vocation and not addiction. I no longer see why I should have to make that distinction. I am addicted to breathing in the same way. I write because when I don’t, it is suffocating. I write because something much larger than myself comes into me that suffuses the page, the world, with meaning. Although I constantly fear that what I am writing teeters at the edge of being false, this force that drives me cannot be anything but real, or nothing will ever be real for me again.”

“What do prisoners do? Write, of course; even if they have to use blood as ink, as the Marquis de Sade did. The reasons they write, the exquisitely frustrating restrictions of their autonomy and the fact that no one listens to their cries, are all the reasons that mentally ill people, and even many normal people write. We write to escape our prisons.”

“Those who have not discovered that worldview is the most important thing about a man… should consider the train of circumstances which have with perfect logic proceeded from this. The denial of universals carries with it the denial of everything transcending experience. The denial of everything transcending experience means inevitably… the denial of truth. With the denial of objective truth there is not escape from the relativism of “man the measure of all things.”

“Suspended for fighting. It had a ring. Not simply suspended, which could be for any number of inane infractions from skipping algebra to drawing nude cartoons of the principal and his staff on random backgrounds. Suspended ... for FIGHTING! It made you sound like something. Like a real badass dude from way back.”

“Several factors besides skill are more significant in professional writers than in most amateurs. One is love of the surface level of language: the sound of it; the taste of it on the tongue; what it can be made to do in virtuosic passages that exist only for their own sake, like cadenzas in baroque concerti. Writers in love with their tools are not unlike surgeons obsessed with their scalpels, or Arctic sled racers who sleep among their dogs even when they don't have to”

“Hugo felt the world was hostile to his writing, he felt not only all its human inhabitants but its noises and diversions and ordinary clutter were linked against him, maliciously, purposefully, diabolically thwarting and maiming him and keeping him from his work. And I, whose business it was to throw myself between him and the world, was failing to do so, by choice perhaps as much as ineptitude for the job. I did not believe in him. I had not understood how it would be necessary to believe in him. I believed that he was clever and talented, whatever that might mean, but I was not sure he would turn out to be a writer. He did not have the authority I thought a writer should have. He was too nervous, too touchy with everybody, too much of a showoff. I believed that writers were calm, sad people, knowing too much. I believed that there was a difference about them, some hard and shining, rare intimidating quality they had from the beginning, and Hugo didn’t have it. I thought that someday he would recognize this. Meanwhile, he lived in a world whose rewards and punishments were as strange, as hidden from me, as if he had been a lunatic.”