“Because he never said it first---he would only ever say 'I love you, too.' And I would hate to think that he was talking about the band U2 the whole time, you know?”

“Okay," he said, "would I be twisting you words too much if I said that you are mad at Lydia because she loves you?"I had to think about that for a while. "I suppose not. We weren't supposed to fall in love with each other."So she's violated your agreement?" Then he wanted to know why Lydia would have ever agreed to such a thing in the first place. Why would she want to be in a relationship not based on love? We decided the only reason would be if she was afraid of love. And if she was no longer afraid of love, wasn't that good? Didn't it say that she was healthier and more mature? And why had I ever wanted to be with someone who was neither of these things? Was I, too, afraid of love?”

“Old Sam Hamilton saw this coming. He said there couldn’t be any more universal philosophers. The weight of knowledge is too great for one mind to absorb. He saw a time when one man would know only one little fragment, but he would know it well.”“Yes,” Lee said from the doorway, “and he deplored it. He hated it.”“Did he, now?” Adam asked...“Now you question it, I don’t know,” he said. “I don’t know whether he hated it or I hate it for him... Maybe the knowledge is too great and maybe men are growing too small... Maybe kneeling down to atoms, they’re becoming atom-sized in their souls. Maybe a specialist is only a coward, afraid to look out of his little cage. And think what any specialist misses! The whole world over his fence!”“We’re only talking about making a living.”“A living? Or money?” Lee said excitedly. “Money’s easy to make if it’s money you want. But with a few exceptions people don’t want money. They want luxury, and they want love, and they want admiration.”

“I love this time of day,' Josh says-talking to me, he's talking to me!-and I try to think of the right thing to say. 'I love you' sounds a little intense for the conversation. 'Can we make out?' sounds like something Jackson would say, and even if I am thinking it, I never want to sound like Jackson. Ever. 'Me too,' is what I come up with. Brilliant, right?”

“I think of the postmodern attitude as that of a man who loves a very cultivated woman and knows that he cannot say to her "I love you madly", because he knows that she knows (and that she knows he knows) that these words have already been written by Barbara Cartland. Still there is a solution. He can say "As Barbara Cartland would put it, I love you madly". At this point, having avoided false innocence, having said clearly it is no longer possible to talk innocently, he will nevertheless say what he wanted to say to the woman: that he loves her in an age of lost innocence.”

“I see you,” he said ever so softly. I knew exactly what he meant, because I too saw myself for the first time.”