“Way back when I was four, I became increasingly sickly and spiritless. My mother took me to the doctor, who poked and prodded and deliberated. In the end, he pronounced, "She's depressed." Depressed at four years old. Why? No one had an answer....I have long evaded the real reasons for my discontentment. I still can't tell what they are, precisely, but I feel their presence most acutely in moments like this one with my grandmother, imagining a day in a big-box store that had replaced an old farm.”
“Did he really want to know? That at any given moment I see everyday life as only _this big_, the space between my finger and thumb. The rest of my mind is occupied with five, a dozen, three dozen other potential lives, each representing some opportunity never taken or currently within reach. Without those worlds of possibility, my life immediately begins to seem boring and drab. I'm thirty-three years old, always broke, and merely _existing_ in what, without having been sealed by formal wedding vows, had become a traditional marriage. I had no blues to lament, not really. My only drama was in my daydreams. They reminded me that any day, at any moment, I could change everything, and while many of those alternate lives featured James at my side--the truth was that some of them did not.”
“When I was young I was depressed all the time. But suicide no longer seemed a possibility in my life. At my age there was very little left to kill. It was good to be old, no matter what they said. It was reasonable that a man had to be at least 50 years old before he could write with anything like clarity.”
“I should like to ask you: -- Does your childhood seem far off? Do the days when you sat at your mother's knee, seem days of very long ago?" Responding to his softened manner, Mr. Lorry answered: "Twenty years back, yes; at this time of my life, no. For, as I draw closer and closer to the end, I travel in the circle, nearer and nearer to the beginning. It seems to be one of the kind smoothings and preparings of the way. My heart is touched now, by many remembrances that had long fallen asleep, of my pretty young mother (and I so old!), and by many associations of the days when what we call the World was not so real with me, and my faults were not confirmed with me.”
“Feeling like what, Cassandra Mortmain? Flat? Depressed? Empty? If so, why, pray?I thought if I made myself write I should find out what is wrong with me, but I haven't, so far. Unless — could I possibly be jealous of Rose?I will pause and search my innermost soul . . .I have searched it for a solid five minutes. And I swear I am not jealous of Rose; [..]”
“The more ardently I see humanity as a glorious abstract that must conform to my ideal of how the world should be, the harder it is for me to love the person on the other side of the picket line who is holding up progress. I can love the downtrodden in the abstract, but as I shivered under the bridge that night with Jorge, I realized that it's harder to love the illegal immigrant with the bottle-slashed face and the body unwashed for weeks, the workers gathering to eat day-old bread and chicken and rice out of foam containers, the crowd of thousands clamoring for bread and fish and healing, the unclean woman hoping to touch the hem of the Savior's robe.”
“If I open this envelope fifty years from now, I will be again as I am now and there will be no being old for me. There's a long, long time yet before fifty years...millions of hours of time. But one hour has gone already since I sat here...one hour less to live...one hour gone away from all the hours of my life.”