“My home is a red desert that trembles with spirits and bones.There are two reasons I came here: my father's death, and the lion man who prowled my dreams. Perhaps it was coincidence, but a man--half wild, ravenous beyond words--slid from the dream world into the mud of the waking one the same year my father left this world for another.Ghosts. Paw prints. I have tried to stay put.”

“I have scavenged for ways to put down roots here. I am perfroming the precise rituals required. Still, I have no idea how to claim the promised land, to gain any semblance of acceptance among its people. And I realize this is probably how I will always live--slinking around the margins--even on my own property.”

“God. Father. Lover. For each shaken source of faith, I have hoarded a seismic sense of hurt--a sensation that led to spiritual starvation.”

“There are other noteworthy characteristics of this rock art style: Anthropomorphs without headdresses instead sport horns, or antennae, or a series of concentric circles. Also prominent in many of the figures' hands are scepters--each one an expression of something significant in the natural world. Some look like lightning bolts, some like snakes; other burst from the fingers like stalks of ricegrass. Colorado Plateau rock-art expert Polly Schaafsma has interpreted these figures as otherworldly--drawn by shamans in isolated and special locations, seemingly as part of a ceremonial retreat. Schaafsma and others believe that the style reflects a spirituality common to all hunter-gatherer societies across the globe--a way of life that appreciates the natural world and employs the use of visions to gain understanding and appreciation of the human relationship to the earth. Typically, Schaafsma says, it is a spirituality that identifies strongly with animals and other aspects of nature--and one that does so with an interdependent rather than dominant perspective. To underscore the importance of art in such a culture, Schaafsma points to Aboriginal Australians, noting how, in a so-called primitive society, where forms of written and oral communication are considered (at least by our standards) to be limited, making art is "one means of defining the mystic tenets of one's faith.”

“Now I believe that true lasting change and sustainability--cultural or otherwise--must rely on something more ancient and universal: art--any form that evokes the archetypal imagery that lives deep in the human psyche--can, in words i once heard imparted by the author Terry Tempest Williams, "bypass rhetoric and pierce the heart.”

“Shane! Shane! You must keep the boy from eating any more! You have no idea what will happen!” Collin was face to face with Martin’s father then, and they both heard Martin say, “You stay away from my eats, little man, or I will end you!” “You need to put that down, Martin, or you will never fit through another door!”

“Can I tell my daughter that I loved her father? This was the man who rubbed my feet at night. He praised the food that I cooked. He cried honestly when I brought out trinkets I had saved for the right day, the day he gave me my daughter, a tiger girl.How could I not love this man? But it was a love of a ghost. Arms that encircled but did not touch. A bowl full of rice but without my appetite to eat it. No hunger. No fullness. Now Saint is a ghost. He and I can now love equally. He knows the things I have been hiding all these years. Now I must tell my daughter everything. That she is a daughter of a ghost. She has no chi . This is my greatest shame. How can I leave this world without leaving her my spirit?So this is what I will do. I will gather together my past and look. I will see a thing that has already happened. The pain that cut my spirit loose. I will hold that pain in my hand until it becomes hard and shiny, more clear. And then my fierceness can come back, my golden side, my black side. I will use this sharp pain to penetrate my daughter's tough skin and cut her tiger spirit loose. She will fight me, because this is the nature of two tigers. But I will win and give her my spirit, because this is a way a mother loves her daughter.I hear my daughter speaking to her husband downstairs. They say words that mean nothing. They sit in a room with no life in it. I know a thing before it happens. She will hear the table and vase crashing on the floor. She will come upstairs and into my room. Her eyes will see nothing in the darkness, where I am waiting between the trees.”