“That is the saddest part when you lose someone you love - that person keeps changing. And later you wonder, Is this the same person I lost? Maybe you lost more maybe less, then thousand different things that come from your memory or imagination - and you do not know which is which, which was true, which is false.”

“I still don't know which way I would teach you. I was once so free and innocent. I too laughed for no reason. But later I threw away my foolish innocence to protect myself. And then I taught my daughter, your mother, to shed her innocence so she would not be hurt as well. Hwai dungsyi, was this kind of thinking wrong? If I now recognize evil in other people, is it not because I have become evil too? If I see someone has a suspicious nose, have I not smelled the same bad things?...Then you must teach my daughter this same lesson. How to lose your innocence but not your hope. How to laugh forever.”

“I think now that fate is half shaped by expectation, half by inattention. But somehow, when you lose something you love, faith takes over. You have to pay attention to what you lost. You have to undo the expectation.”

“Lately I have been feeling hulihudu. And everything around me seemed to be heimongmong. These were words I had never thought about in English terms. I suppose the closest in meaning would be "confused" and "dark fog." But really, the words mean much more than that. Maybe they can't be easily translated because they refer to a sensation that only Chinese people have, as if you were falling headfirst through Old Mr. Chou's [Mr. Sandman's] door, then trying to find your way back. But you're so scared you can't open your eyes, so you get on your hands and knees and grope in the dark, listening for voices to tell you which way to go. I had been talking to too may people...to each person I told a different story. Yet each version was true, I was certain of it, at least at the moment I told it. ”

“...A mother is the one who fills your heart in the first place. She teaches you the nature of happiness: what is the right amount, what is too much, and the kind that makes you want more of what is bad for you. A mother helps her baby flex her first feelings of pleasure. She teaches her when to later exercise restraint, or to take squealing joy in recognizing the fluttering leaves of the gingko tree, to sense a quieter but more profound satisfaction in chancing upon an everlasting pine. A mother enables you to realize that there are different levels of beauty and therein lie the sources of pleasure, some of which are popular and ordinary, and thus of brief value, and others of which are difficult and rare, and hence worth pursuing.”

“How can you blame a person for his fears and weaknesses unless you have felt the same and done differently?”

“Isn't that how it is when you must decide with your heart? You are not just choosing one thing over another. You are choosing what you want. And you are also choosing what somebody else does not want, and all the consequences that follow. You can tell yourself, That's not my problem, but those words do not wash the trouble away. Maybe it is no longer a problem in your life. But it is always a problem in your heart.”