“The city was asleep on its right side and shaking with violent nightmares. Long puffs of snoring came out of the chimneys. Its feet were sticking out because the clouds did not cover it altogether. There was a hole in them and the white feathers were falling out. The city had untied all its bridges like so many buttons to feel at ease. Wherever there was a lamplight the city scratched itself until it went out.”

“Out of the red and silver and the long cry of alarm to the poet who survives in all human beings, as the child survives in him; to this poet she threw an unexpected ladder in the middle of the city and ordained, 'Climb!”

“I walked into a white city. It was a honeycomb of ivory-white cells, streets like ribbons of old ermine. The stone and mortar were mixed with sunlight, with musk and white cotton. I passed by streets of peace lying entangled like cotton spools...”

“Woman’s role in creation should be parallel to her role in life. I don’t mean the good earth. I mean the bad earth too, the demon, the instincts, the storms of nature. Tragedies, conflicts, mysteries are personal. Man fabricated a detachment which became fatal. Woman must not fabricate. She must descend into the real womb and expose its secrets and its labyrinths. She must describe it as the city of Fez, with its Arabian Nights gentleness, tranquility and mystery. She must describe the voracious moods, the desires, the worlds contained in each cell of it. For the womb has dreams. It is not as simple as the good earth. I believe at times that man created art out of fear of exploring woman. I believe woman stuttered about herself out of fear of what she had to say. She covered herself with taboos and veils. Man invented a woman to suit his needs. He disposed of her by identifying her with nature and then paraded his contemptuous domination of nature. But woman is not nature only.She is the mermaid with her fish-tail dipped in the unconscious.”

“If I did not move and dance between them the three would turn to stone, for they are passive [...] They would fall asleep if I lay still somewhere. Henry, Gonzalo, Hugh. [...] It is only my dancing, my dancing which animates them. I slide out of Gonzalo's bed like a snake. I slide out of Henry's bed. I slide out of Hugh's bed. [...]I dance untrammeled - return to each full of the space in between, that change of air. Dancing, I find my flame and my joy, because I dance, slide, run, to the boat, to quai de Passy, to Villa Seurat; I keep the wind in the folds of my dress, the rain on my hair, and light in my eyes.”

“We are like sculptors, constantly carving out of others the image we long for, need, love or desire, often against reality, against their benefit, and always, in the end, a disappointment, because it does not fit them.”

“You live out the confusions until they become clear.”