“They courted the face on the screen, the face of translucence, the face of wax on which men found it possible to imprint the image of their fantasy.”

Anais Nin

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“One discovers that destiny can be diverted, that one does not have to remain in bondage to the first wax imprint made on childhood sensibilities. Once the deforming mirror has been smashed, there is a possibility of wholeness. There is a possibility of joy.”


“There is no bleaker moment in life of the city than that one which crosses the boundary lines between those who have not slept all night and those who are going to work. It was for Sabina as if two races of men and women lived on earth, the night people and the day people, never meeting face to face except at this moment.”


“Sex must be mixed with tears, laughter, words, promises, scenes, jealousy, envy, all the spices of fear, foreign travel, new faces, novels, stories, dreams, fantasies, music, dancing, opium, wine.”


“I looked at it [revolver] as if it reminded me of a crime I had committed with an irrepressible smile such as rises sometimes to people’s lips in the face of great catastrophes which are beyond their grasp, the smile that comes at times on certain women’s faces while they are saying they regret the harm they have done. It is the smile of nature quietly and proudly asserting its natural right to kill.”


“I will always be the virgin-prostitute, the perverse angel, the two-faced sinister and saintly woman.”


“Slowly what she composed with the new day was her own focus, to bring together body and mind. This was made with an effort, as if all the dissolutions and dispersions of her self the night before were difficult to reassemble. She was like an actress who must compose a face, an attitude to meet the day.The eyebrow pencil was no mere charcoal emphasis on blond eyebrows, but a design necessary to balance a chaotic asymmetry. Make up and powder were not simply applied to heighten a porcelain texture, to efface the uneven swellings caused by sleep, but to smooth out the sharp furrows designed by nightmares, to reform the contours and blurred surfaces of the cheeks, to erase the contradictions and conflicts which strained the clarity of the face’s lines, disturbing the purity of its forms.She must redesign the face, smooth the anxious brows, separate the crushed eyelashes, wash off the traces of secret interior tears, accentuate the mouth as upon a canvas, so it will hold its luxuriant smile.Inner chaos, like those secret volcanoes which suddenly lift the neat furrows of a peacefully ploughed field, awaited behind all disorders of face, hair, and costume, for a fissure through which to explode.What she saw in the mirror now was a flushed, clear-eyed face, smiling, smooth, beautiful. The multiple acts of composure and artifice had merely dissolved her anxieties; now that she felt prepared to meet the day, her true beauty emerged which had been frayed and marred by anxiety.”