“I feel about lending a book the way most fathers feel about their daughters living with a man out of wedlock.”

“The most dangerous part of lending books lies in the returning. At such times, friendships hang by a thread. I look for agony, ecstasy, for tears, transfiguration, trembling hands, a broken voice - but what the borrower usually says is, "I enjoyed it." I enjoyed it - as if that were what books were for.”

“A good book is never exhausted. It goes on whispering to you from the wall. Books perfume and give weight to a room. A bookcase is as good as a view, as the sight of a city or a river. There are dawns and sunsets in books - storms, fogs, zephyrs. I read about a family whose apartment consists of a series of spaces so strictly planned that they are obliged to give away their books as soon as they've read them. I think they have misunderstood the way books work. Reading a book is only the first step in the relationship. After you've finished it, the book enters on its real career. It stand there as a badge, a blackmailer, a monument, a scar. It's both a flaw in the room, like a crack in the plaster, and a decoration. The contents of someone's bookcase are part of his history, like an ancestral portrait. - in "About books; recoiling, rereading, retelling", The New York Times, February 22, 1987”

“The thought of people reading in the sun, on a beach, tempts me to recommend dark books, written in the shadow of loneliness, despair, and death. Let these revelers feel a chill as they loll on their towels.”

“The contents of someone's bookcase are part of his history, like an ancestral portrait."(About Books; Recoiling, Rereading, Retelling, New York Times, February 22, 1987)”

“The moment a book is lent I begin to miss it.”

“If a book is really good, it deserves to be read again, and if it's great, it should be read at least three times.”