“At the word witch, we imagine the horrible old crones from Macbeth. But the cruel trials witches suffered teach us the opposite. Many perished precisely because they were young and beautiful.”

“Let us not mince words.. the marvelous is always beautiful, anything marvelous is beautiful, in fact only the marvelous is beautiful.”

“Beauty is like a train that ceaselessly roars out of the Gare de Lyon and which I know will never leave, which has not left. It consists of jolts and shocks, many of which do not have much importance, but which we know are destined to produce one Shock, which does...The human heart, beautiful as a seismograph...Beauty will be CONVULSIVE or will not be at all.”

“Everything tends to make us believe that there exists a certain point of the mind at which life and death, the real and the imagined, past and future, the communicable and the incommunicable, high and low, cease to be perceived as contradictions.”

“The pure playfulness of certain wholly whimsical portions of (Charles) Cros’s work should not obscure the fact that at the center of some of his most beautiful poems a revolver is leveled straight at us.”

“Because of the earth’s roundness, Genghis Khan, in the fever of possession and destruction, hastened his own overthrow by invading lands that he had already razed and conquered. Not only is it impossible to know from where we come, but also from whom we come: nothing in common, in any case, with those who pass for being the “authors of our days” – which days? Better to invent a genealogy based on pure whim and the leanings of our hearts, but what if they don’t agree?”

“Even that great poverty which had been and remains mine let up for a few days. I was not, as it happens, opposed to this poverty: I accepted to pay the price for not being a slave to life, to settle for the right I had assumed once and for all to not express any ideas but my own. We were not many in doing this… Poverty passed by in the distance, made lovelier and almost justified, a little like what has been called, in the case of a painter who was one of your first friends, the blue period. It seemed the almost inevitable consequence of my refusal to behave the way almost all the others did, whether on one side or another. This poverty, whether you had the time to dread it or not, imagine it was only the other side of the miraculous coin of your existence: the Night of the Sunflower would have been less radiant without it. ”