“It is night at the front, a shadow, a shot. The Jew who has just firedhears a moan..."And then, mother, the hair stands up on his head, for only a few feet from him in the darkness the enemy voice is reciting in Hebrew the prayer of the dying. Ai, God, the soldier has cut down a Jewish brother! Ai, misery! He drops his rifle and runs into no man's land, insane with shame and grief. Insane, you understand? The enemy fires at him, his comrades shout at him to come back. But he refuses; he stays in no man's land and dies. Ai, misery, ai...!”
“His [Francisco Goya's] debt to the Christianity of the eighteenth century is contained in the idea that politics was just adopting from the Gospels: the conviction that man has a right to justice. Such a statement would seem utterly conceited to a Roman, who would doubtless have looked upon the Disasters as we look upon photographs of the amphitheatre...But if Goya thought that man has not come onto the earth to be cut to pieces he thought that he must have come here for something. Is it to live in joy and honour? Not only that; it is to come to terms with the world. And the message he never ceased to preach, a message underlined by war, is that man only comes to terms with the world by blinding himself with childishness.”
“...when an old person dies, a whole library disappears.”
“The tale is, in large part, our capital. I was nourished on tales...when an old person dies, a whole library disappears.”
“He who flatters a man is his enemy. he who tells him of his faults is his maker.”
“To no man does the earth mean so much as to the soldier. When he presses himself down upon her long and powerfully, when he buries his face and his limbs deep in her from the fear of death by shell-fire, then she is his only friend, his brother, his mother; he stifles his terror and his cries in her silence and her security; she shelters him and releases him for ten seconds to live, to run, ten seconds of life; receives him again and again and often forever.”
“Only boxers can understand the loneliness of tennis players - and yet boxers have their corner men and managers. Even a boxer's opponent provides a kind of companionship, someone he can grapple with and grunt at. In tennis you stand face-to-face with the enemy, trade blows with him, but never touch him or talk to him, or anyone else. The rules forbid a tennis player from even talking to his coach while on the court. People sometimes mention the track-and-field runner as a comparably lonely figure, but I have to laugh. At least the runner can feel and smell his opponents. They're inches away. In tennis you're on an island. Of all the games men and women play, tennis is the closest to solitary confinement....”