“He was convinced he would keep his word. Not because he feared for his health, but because one cannot break a promise made to one's guardian angel. And he resumed the climb.”

“From the pit of his stomach a violent spasm of nausea rose up and seized his throat. He ran to the bathroom, barely able to stand, knelt down in front of the toilet and started to vomit. He vomited the whiskey he'd just drunk, vomited what he'd eaten that day as well as what he'd eaten the day before, and the day before that, and he felt, with his sweaty head now entirely inside the toilet bowl and a sharp pain in his side, as if he were endlessly vomiting up the entire time of his life on earth, going all the way back to the pap he was given as a baby, and when, at last, he'd expelled his own mother's milk, he kept vomiting poison bitterness, bile, pure hatred.”

“He also remembered a comedy he had read in his youth called “The Deluge”, which claimed the next great flood would be caused not by water from the heavens but by the backing up and over flowing of all the toilets, latrines, cesspools and septic tanks in the world which would start chucking up their contents relentlessly until we all drowned in our own shit.”

“Montalbano felt moved. This was real friendship, Sicilian friendship, the kind based on intuition, on what was left unsaid. With a true friend, one never needs to ask, because the other understands on his own accordingly.”

“He swam and he wept.”

“To distract himself, he formulated a proposition. A philosophical proposition? Maybe, but tending towards "weak thought"--exhausted thought, in fact. He even gave this proposition a title: "The Civilization of Today and the Ceremony of Access." What did it mean? It meant that, today, to enter any place whatsoever--an airport, a bank, a jeweler's or watchmaker's shop--you had to submit to a specific ceremony of control. Why ceremony? Because it served no concrete purpose. A thief, a hijacker, a terrorist--if they really want to enter--will find a way. The ceremony doesn't even serve to protect the people on the other side of the entrance. So whom does it serve? It serves the very person about to enter, to make him think that, once inside, he can feel safe.”

“And in our dark days, with so many threatening clouds on the horizon, he concluded, we puff up a story like this to drug people, to distract theirattention from the serious problems anddivert them with a Romeo-and-Julietstory, one scripted, however, by a soap opera writer.”