“In grammar school he’d had an old priest as his religion teacher. “Truth is light,” the priest had said one day.Montalbano, never very studious, had been a mischievous pupil, always sitting in the last row.“So that must mean that if everyone in the family tells the truth, they save on the electric bill.”
In this quote from Andrea Camilleri's novel, the character of Montalbano recalls a lesson from his grammar school days where his old priest teacher declared "Truth is light." With his mischievous nature, Montalbano humorously connects this idea to saving on the electric bill by suggesting that if everyone in the family tells the truth, they will need less light in the house. This quote highlights Montalbano's wit and penchant for finding humor in even the most serious of topics.
In this humorous quote from Andrea Camilleri's work, we are reminded of the age-old concept that "truth is light." This sentiment holds true even in the modern world, where honesty and transparency are valued traits in personal and professional relationships. In a time when misinformation and dishonesty can spread quickly through social media and other platforms, the importance of telling the truth is more relevant than ever. Just as Montalbano humorously suggests that telling the truth can save on electric bills, we can see how being honest and open in our interactions can ultimately lead to more positive outcomes for ourselves and those around us.
Montalbano recalls a lesson from his old religion teacher, relating truth with light. His mischievous nature is displayed as he cleverly jokes about saving on the electric bill by everyone in the family telling the truth.
Reflecting on this humorous quote from Andrea Camilleri's work, consider the following questions:
“Unwell? I was fine, as good as one might feel in such circumstances. No, my friend, I merely pretended to faint. I'm a good actress. Actually, a thought had come into my mind: if a terrorist, I said to myself, were to blow up this church with all of us inside, at least one-tenth of all the hypocrisy in the world would disappear with us. So I had myself escorted out.”
“And, pointing a trembling finger at Bonetti-Alderighi, with an expression of indignation and a quasi-castrato voice, he launched into the climax:Ah, so you, Mr. Commissioner, actually believed such a groundless accusation? Ah, I feel so insulted and humiliated! You're accusing me of an act - no, indeed, a crime that, if true, would warrant a severe punishment! As if I were a common idiot or gambler! That journalist must be possessed to think of such a thing!"End of climax. The inspector inwardly congratulated himself. He had managed to utter a statement using only titles of novels by Dostoyevsky. Had the comissioner noticed? Of course not! The man was ignorant as a goat!”
“Giulio was against our meeting. He didn't want me getting mixed up in things that, in his opinion, were no concern of mine. For decades the respectable people here did nothing but repeat that the Mafia was no concern of theirs but only involved the people involved in it. But I used to teach my pupils that the see-nothing, know-nothing attitude is the most mortal of sins. So now that its my turn to tell what I saw, I'm supposed to take a step back?”
“To distract himself, he formulated a proposition. A philosophical proposition? Maybe, but tending towards "weak thought"--exhausted thought, in fact. He even gave this proposition a title: "The Civilization of Today and the Ceremony of Access." What did it mean? It meant that, today, to enter any place whatsoever--an airport, a bank, a jeweler's or watchmaker's shop--you had to submit to a specific ceremony of control. Why ceremony? Because it served no concrete purpose. A thief, a hijacker, a terrorist--if they really want to enter--will find a way. The ceremony doesn't even serve to protect the people on the other side of the entrance. So whom does it serve? It serves the very person about to enter, to make him think that, once inside, he can feel safe.”
“He also remembered a comedy he had read in his youth called “The Deluge”, which claimed the next great flood would be caused not by water from the heavens but by the backing up and over flowing of all the toilets, latrines, cesspools and septic tanks in the world which would start chucking up their contents relentlessly until we all drowned in our own shit.”
“Montalbano felt moved. This was real friendship, Sicilian friendship, the kind based on intuition, on what was left unsaid. With a true friend, one never needs to ask, because the other understands on his own accordingly.”