“For Jenn At 12 years old I started bleeding with the moonand beating up boys who dreamed of becoming astronauts.I fought with my knuckles white as stars,and left bruises the shape of Salem.There are things we know by heart,and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke.I'd watch the nicotine rising from her lips like halos,but I could never make dying beautiful.The sky didn't fill with colors the night I convinced myselfveins are kite strings you can only cut free.I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree,and there are songbirds perched on the tips of my fingers,and I wonder if Beethoven held his breaththe first time his fingers touched the keysthe same way a soldier holds his breaththe first time his finger clicks the trigger.We all have different reasons for forgetting to breathe. But my lungs rememberthe day my mother took my hand and placed it on her bellyand told me the symphony beneath was my baby sister's heartbeat.And I knew life would tremblelike the first tear on a prison guard's hardened cheek,like a prayer on a dying man's lips,like a vet holding a full bottle of whisky like an empty gun in a war zone…just take me just take me Sometimes the scales themselves weigh far too much,the heaviness of forever balancing blue sky with red blood.We were all born on days when too many people died in terrible ways,but you still have to call it a birthday.You still have to fall for the prettiest girl on the playground at recessand hope she knows you can hit a baseballfurther than any boy in the whole third grade and I've been running for homethrough the windpipe of a man who singswhile his hands playing washboard with a spoonon a street corner in New Orleanswhere every boarded up window is still painted with the wordsWe're Coming Backlike a promise to the oceanthat we will always keep moving towards the music,the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open.The pupils in our eyes were not born to hide beneath their desks.Tonight lay us down to rest in the Arizona desert,then wake us washing the feet of pregnant womenwho climbed across the border with their bellies aimed towards the sun.I know a thousand things louder than a soldier's gun.I know the heartbeat of his mother. Don't cover your ears, Love.Don't cover your ears, Life.There is a boy writing poems in Central Parkand as he writes he movesand his bones become the bars of Mandela's jail cell stretching apart,and there are men playing chess in the December coldwho can't tell if the breath rising from the boardis their opponents or their own,and there's a woman on the stairwell of the subwayswearing she can hear Niagara Falls from her rooftop in Brooklyn,and I'm remembering how Niagara Falls is a city overrunwith strip malls and traffic and vendorsand one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect.I am not the type to mistake a streetlight for the moon.I know our wounds are deep as the Atlantic.But every ocean has a shorelineand every shoreline has a tidethat is constantly returningto wake the songbirds in our hands, to wake the music in our bones,to place one fearless kiss on the mouth of that brave riverthat has to run through the center of our heartsto find its way home.”
In this powerful and evocative poem by Andrea Gibson, the poet reflects on life, love, loss, and resilience. Through vivid imagery and emotional language, Gibson explores themes of struggle, strength, and the beauty found in everyday moments. The poem is a poignant reminder of the complexities of the human experience and the resilience that exists within each of us.
In this powerful poem by Andrea Gibson, the speaker reflects on the complexities of life, from the struggles and pain to the beauty and hope that coexist within it. The use of vivid imagery and raw emotion creates a poignant exploration of the human experience. The speaker navigates themes of violence, loss, love, and resilience, weaving them together into a tapestry of life's contradictions. The poem ultimately encourages a recognition of the beauty and strength that can be found amidst the darkness, reminding us to embrace the messiness and imperfections of the world. Through poignant metaphors and striking visuals, Gibson's words resonate with a profound sense of empathy and understanding.
This poem by Andrea Gibson speaks to the struggles and complexities of life, the beauty found in resilience, and the importance of embracing both the darkness and light within us. In today's world, where there is so much pain and turmoil, the message of finding strength in vulnerability and seeing beauty in the midst of chaos is more relevant than ever. It reminds us to listen to the heartbeat of humanity, to embrace our wounds and imperfections, and to keep moving forward with hope and courage.
This powerful poem by Andrea Gibson touches on themes of resilience, beauty, love, and the interconnectedness of humanity. As you reflect on these poignant words, consider the following questions:
“I know this world is far from perfect.I am not the type to mistake a streetlight for the moon.I know our wounds are deep as the Atlantic.But every ocean has a shorelineand every shoreline has a tidethat is constantly returningto wake the songbirds in our hands,to wake the music in our bones,to place one fearless kiss on the mouth of that new born riverthat has to run through the center of our heartsto find its way home.”
“and I wonder if Beethoven held his breaththe first time his fingers touched the keysthe same way a soldier holds his breaththe first time his finger clicks the trigger.We all have different reasons for forgetting to breathe.”
“I want to tell you something." He placed her palm against her cheek, rough with stubble. "In my life, I've been with women I didn't care about and women I cared a great deal about. But I've never been with a woman who makes me feel the way you do." He lowered his head and whispered against her lips, "Sometimes when I look at you, it's hard to breath. When you touch me, I don't care about breathing." He kissed her slow and sweet, and with each press of his lips and touch of his tongue, her heart swelled and ached. It was wonderful and awful and brand-new. Then he pulled back to say, "I don't know how this is all going to work out, but I want to be with you. You are important to me.”
“I love you."lightning. Once it has forked, hot-white, from sky to earth, there is no going back.It's time. I feel it, I know it. My eyes on him, his on me, and both of us breathing, watching, tired of of waiting. Ky close his eyes, but mine are still open. what will it feel like, his lips on mine? Like a secret told, a promise kept? Like that line in the poem-a shower of all my days- silvery rain falling all around me, where the lighting meets the earth? The whistle blows below us and the moment breaks. We are safe.For now.”
“Cupping my cheeks, he exhaled a soft groan, and his lips scorched mine as he deepened the kiss until we both were breathless from its intensity. Daemon moved as close as he could with the chair between us. Gripping his arms, I held onto him, wanting him closer. The chair prevented all but our lips and hands from touching. Frustrating. Move, I ordered restlessly. It trembled under my foot, and then the heavy oak chair slid out from under me, dodging our leaning bodies. Unprepared for the sudden void, Daemon lurched forward, and I was unable to carry the unexpected weight. I collapsed backward, bringing Daemon along with me. The full contact of his body, flush against mine, sent my senses into chaotic overdrive. His tongue swept over mine as his fingers splayed across my cheeks. His hand slid down my side, gripping my hip as he urged me closer. The kisses slowed and his chest rose as he drank me in. With one last lingering exploration, he lifted his head and smiled down at me.My heart skipped a beat as he hovered over me with an expression that tugged deep in my chest. He moved his finger back up, along my cheek, trailing an invisible path to my chin. "I didn't move that chair, Kitten.""I know.""I'm assuming you didn't like where it was?""It was in your way," I said. My hands were still curled around his arms. "I can see that." Daemon smoothed a fingertip over the curve of my bottom lip before taking my hand, pulling me up.”
“What are you doing?” I tried to pull away, but his hand slipped from my hair to cup the nape of my neck.When he whispered, his warm breath brushed over my lips. “Just let me kiss you, Calla. You don’t know how long I’ve wanted to. No one has to know.”My lips parted as I drew a sudden, startled breath and in that instant his mouth was on mine, soft as velvet. I closed my eyes against the rush of a hundred wings that suddenly beat in my chest and soared through my body.His scent was all around me. Leather, sandalwood, bonfires in autumn. He pulled back, but only for the sake of moving his lips to trail over my neck.My blood was on fire and I was shaking. Is this really happening?I couldn’t stop thinking about Shay in the clearing. About asking him to kiss me. The electric touch of his lips on mine.But this is where I belong. I tried to push the memories back.Ren stroked my knee, his fingers wandering up my thigh, sliding beneath the hem of my dress.I grabbed his wrist. “Wait.”He didn’t free his arm from my grasp but continued kissing my collar bone.“Let’s skip the waiting part,” he murmured into my skin.”