“My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature in a city, and I do not mean its parks but a deeper understanding that a city is nature too-the ground upon which it is built, the stone with which it is made.”

“Cities were built to measure time, to remove time from nature. There’s an endless counting down, he said. When you strip away all the surfaces, when you see into it, what’s left is terror. This is the thing that literature was meant to cure.”

“I came to Rome when it was a city of stone ... and left it a city of marble”

“In these times there is a powerful demarcation between the surface and the deep currents of human development. Events and upheavals, which seem more profound than they really are, are happening on the surface. But there is another and deeper change in progress. It is of long, steady persistent growth, very little affected and not at all disturbed by surface conditions. The artist of today should be alive to this deeper evolution on which all growth depends, has depended and will depend. On the surface there is the battle of institutions, the illustration of events, the strife between peoples. On the surface there is propaganda and there is the effort to force opinions. The deeper current carries no propaganda. The shock of the surface upheaval does not deflect it from its course. It is in search of fundamental principle; that basic principle of all, which in degree as it is apprehended points the way to beauty and order, and to the law of nature.”

“It is upon such stones that men attempt to permanently etch history so they will not exist in a vacuum; it is the final statement after a lifetime of scratching out divisions upon the ground, over ephemeral time itself, merely to give their short journeys meaning, to tell others “I was here – do not forget me, do not let my brief blast dissolve into nothingness.”

“All my life I have felt a great kinship with the madman and the criminal. Practically all my life I have dwelt in big cities; I am unhappy, uneasy, unless I am in a big city. My feeling for Nature is limited to water, mountain and desert. These three form a trine which is more imperative, for me, than any spiritual alimentation. But in the city I am aware of another element which is beyond all these in power of fascination: the labyrinth. To be lost in a strange city is the greatest joy I know; to become oriented is to lose everything. To me the city is crime personified, insanity personified. I feel at home.”