“Cities have sexes: London is a man, Paris a woman, and New York a well-adjusted transsexual.”
Angela Carter’s quote personifies cities by attributing them genders, using London, Paris, and New York as examples. This metaphor reveals how cultural identities and societal perceptions shape our understanding of urban spaces.
"London is a man": London is often seen as traditional, stoic, and perhaps reserved—qualities stereotypically associated with masculinity. The city’s historical gravitas, structured order, and sometimes gray, industrial vibe align with a masculine archetype.
"Paris a woman": Paris evokes romance, elegance, and artistic flair, traits culturally linked to femininity. The city’s reputation for beauty, fashion, and sensuality supports this feminine personification.
"New York a well-adjusted transsexual": This is the most complex and nuanced part of the quote. Describing New York as a “well-adjusted transsexual” suggests a blending or transcendence of traditional gender norms. New York is diverse, dynamic, and multicultural—a city that embodies fluidity, adaptability, and complexity beyond conventional binaries. It reflects a modern, inclusive identity that embraces change and multiplicity.
Overall, Carter uses gendered metaphors to reveal how cities embody distinct cultural characters, while also challenging rigid definitions through New York’s fluid identity. The quote invites us to consider urban identities as living, evolving, and rich with symbolic meaning.
Angela Carter’s metaphorical attribution of gender to cities—London as a man, Paris as a woman, and New York as a well-adjusted transsexual—remains strikingly relevant in contemporary discussions around urban identity, diversity, and cultural fluidity. Today, cities are increasingly seen as dynamic entities that embody complex, multifaceted personalities rather than fixed or binary identities.
In a modern context, this quote highlights how metropolitan areas serve as spaces where traditional gender norms and roles can be challenged and redefined. New York’s description as a “well-adjusted transsexual” resonates with the city’s reputation for embracing diversity, inclusivity, and transformation, reflecting broader societal shifts toward recognizing and celebrating gender diversity.
Moreover, Carter’s framing encourages us to think about urban culture as performative and evolving, influenced by its inhabitants’ multiplicity rather than a single, static identity. This perspective is particularly valuable in today’s globalized world, where cities are hubs for cultural exchange, gender expression, and social progress.
“Proposition one: time is a man, space is a woman.”
“It is far easier for a woman to lead a blameless life than it is for a man; all she has to do is to avoid sexual intercourse like the plague.”
“Abandoned lovers were often lured into the false embrace of faithless mistresses and this caused the Minister the gravest concern for he feared that one day a man would impregnate an illusion and then a generation of half-breed ghosts would befoul the city”
“Some cities are women and must be loved; others are men and can only be admired or bargained with”
“The invisible is only another unexplored country, a brave new world.”
“Although her father had told her of the nature of the one who waited for her, she could not control an instinctual shudder of fear when she saw him, for a lion is a lion and a man is a man and, though lions are more beautiful by far than we are, yet they belong to a different order of beauty and, besides, they have no respect for us: why should they? Yet wild things have a far more rational fear of us than is ours of them, and some kind of sadness in his agate eyes, that looked almost blind, as if sick of sight, moved her heart.”