“Sometimes it was possible for me to believe he had practised an enchantment upon me, as foxes in this country may, for, here, a fox can masquerade as human and at the best of times the high cheekbones gave to his face the aspect of a mask.”

“I should have liked to have had him beside me in a glass coffin, so that I could watch him all the time and he would not have been able to get away from me.”

“What do you see when you see me?' She asked him, burying her own face in his bosom. 'Do you want the truth?'She nodded.'The firing squad.''That's not the whole truth. Try again.''Insatiability,' he said with some bitterness.'That's oblique but altogether too simple. Once more,' she insisted. 'One more time.'He was silent for several minutes.'The map of a country in which I only exist by virtue of the extravagance of my metaphors.''Now you're being too sophisticated. And, besides, what metaphors do we have in common?”

“So I suppose I do not know how he really looked, and, in fact, I suppose I shall never know, now, for he was plainly an object created in the mode of fantasy. His image was already present somewhere in my head and I was seeking to discover it in actuality, looking at every face I met in case it was the right face - that is, the face which corresponded to my notion of the unseen face of the one I should love, a face created parthenogeneticallyby the rage to love which consumed me.”

“His main principles were indeed as follows: everything it is possible to imagine can also exist.”

“But I do not want to paint our circumstantial portraits so that we both emerge with enough well-rounded, spuriously detailed actuality that you are forced to believe in us. I do not want to practise such sleight of hand. You must be content only with glimpses of our outlines, as if you had caught sight of our reflections in the looking-glass of somebody else’s house as you passed by the window.”

“In the dewy wood tinselled with bewildering moonlight, the bumbling, tumbling babies of the fairy creche trip over the hem of her dress, which is no more nor less than the margin of the wood itself; they stumble in the tangled grass as they play with the coneys, the quick brown fox-cubs, the russet fieldmice and the wee scraps of grey voles, blind velvet Mole and striped Brock with his questing snout - all the denizens of the woodland are her embroiderings, and the birds flutter round her head, settle on her shoulders and make their nests in her great abundance of disordered hair, in which are plaited poppies and ears of wheat.”