“and half of learning to play is learning what not to playand she's learning the spaces she leaves have their own things to sayand she's trying to sing just enough so that the air around her movesand make music like mercy that gives what it is and has nothing to proveshe crawls out on a limb and begins to build her homeand it's enough just to look around and to know that she's not aloneup up up up up up up points the spire of the steeplebut god's work isn't done by godit's done by people”

“Up up up up up uppoints the spire of the steeplebut god's work isn't done by godit's done by people”

“Lyra learns to her great cost that fantasy isn’t enough. She has been lying all her life, telling stories to people, making up fantasies, and suddenly she comes to a point where that’s not enough. All she can do is tell the truth. She tells the truth about her childhood, about the experiences she had in Oxford, and that is what saves her. True experience, not fantasy - reality, not lies - is what saves us in the end.”

“She was brave, wasn’t she? Look what she’d done. She hadn’t run back to the safety of San Francisco, but toward something dangerous and unknown. And Oscar had gone with her. He was it, the man she wanted to be with, and not just in sporadic or imagined trysts, Camille slowed her crawling as it dawned on her. She loved him. She loved Oscar Kildare. She loved him enough to give up everything she’d ever known.”

“It did no good to cry, she had learned that early on. She had also learned that every time she tried to make someone aware of something in her life, the situation just got worse. Consequently it was up to her to solve her problems by herself, using whatever methods she deemed necessary.”

“The child will grow up and find out things for herself. She will know that I lied. She will be disappointed." "That is what is called learning the truth.”