“And then she moved from shock to grief the way she might enter another room.”

“Her room felt wonderful to her, as usual. She looked around with satisfaction… She imagined to herself that she would always live this way, even after she had grown up and moved away from her family. She planned to have exactly the same room wherever she was, because this room was her. No matter what happened out there in the rest of the world, she felt totally comfortable once she got into this room and closed the door.”

“She was awakened by a shock, so sudden and severe that if Dorothy had not been lying on the soft bed she might have been hurt. As it was, the jar made her catch her breath and wonder what had happened; and Toto put his cold little nose into her face and whined dismally. Dorothy sat up and noticed that the house was not moving; nor was it dark, for the bright sunshine came in at the window, flooding the little room. She sprang from her bed and with Toto at her heels ran and opened the door.”

“It's impossible to move through the stages of grief when a person is both dead and alive, the way Min is. It's like she's living permanently in an airport terminal, moving from one departure lounge to another but never getting on a plane. Sometimes I tell myself that I'd do anything for Min. That I'd do whatever was necessary for her to be happy. Except that I'm not entirely sure what that would be.”

“Though her emotions had not deviated from a jittery frailty she knew that in her own room she could at least attempt sleep and that if she dreamed she might then finally be with Henry.”

“We moved wordlessly from one room to another, from the room of the dead to the room where time lay in pages everywhere I looked.”