“In the time it takes for her to walk from the bathhouse at the seawall of Fortune's Rocks, where she has left her boots and has discreetly pulled off her stockings, to the waterline along which the sea continually licks the pink and silver sand, she learns about desire. ”

“Sydney discovers that she minds the loss of her mourning. When she grieved, she felt herself to be intimately connected to Daniel. But with each passing day, he floats away from her. When she thinks about him now, it is more as a lost possibility than as a man. She has forgotten his breath, his musculature.”

“Later, when she sees the photographs for the first time, she will be surprised at how calm her face looks - how steady her gaze, how erect her posture. In the picture her eyes will be slightly closed, and there will be a shadow on her neck. The shawl will be draped around her shoulders, and her hands will rest in her lap. In this deceptive photograph, she will look a young woman who is not at all disturbed or embarrassed, but instead appears to be rather serious. And she wonders if, in its ability to deceive, photography is not unlike the sea, which may offer a benign surface to the observe even as it conceals depths and current below.”

“I wonder this: If you take a woman and push her to the edge, how will she behave?”

“Altogether, Olympia thinks the sight of herself satisfactory, but not beautiful: a smile is missing, a certain light about the eyes. For how very different a woman will look when she has happiness, Olympia knows, when her beauty emanates from a sense of well-being or from knowing herself to be greatly loved. Even a plain woman will attract the eye if she is happy, while the most elaborately coiffed and bejeweled woman in a room, if she cannot summon contentment, will seem to be merely decorative.”

“Webster, as if he's done it every day of his life, as if he did it just the day before, trails his fingers from the small of Sheila's back to the nape of her neck.Sheila turns her head, "Go slowly and be careful," she says.”

“My mother taught me to knit when I was seven. I forgot about knitting until one day I saw Marion at the counter with hers and confessed that I knew how. Confessed is the right word. In those days, in the early 1980s, knitting was not a hobby a preteen would readily admit to. But Marion, every enthusiastic, pounced upon me and insisted that I show her something I'd made. I did -- a misshapen scarf -- which she priased exravagantly. she lent me a raspberry-colored wool for another project, a hat for myself. Since then I've been knitting pretty continuously. It's addictive and it's soothing, and fora a few minutes anyway, it makes me feel closer to my mother.”