“Lena studied the faces of the girls on the sidelines. She could tell that Kostos owned the lust of what few local teenage girls there were in Oia, but instead he chose to dance with all the grandmothers, all the women who had raised him, who had poured into him the love they couldn't spend on their own absent children and grandchildren.”

“She was sad about what happened to Kostos. And someplace under that, she was sad that people like Bee and Kostos, who had lost everything, were still open to love, and she, who'd lost nothing, was not.”

“...he had found the courage once in his life to seize a chance at love from a person who knew how to give it. Lena prayed on these two moons that she would find that same courage.”

“Could she kiss him? Would he allow her that? Was that something he could pretend was nothing? What about making love? Could she just open up her legs and pull him inside her and have him all she wanted and later give her assent that it was nothing?”

“Lena was an introvert. She knew she had trouble connecting with people. She always felt like her looks were fake bait, seeming to offer a bridge to people, which she couldn't easily cross.”

“Ruins stood for what was lost, and yet there were beautiful-peaceful, historic, intellectual. Not tragic or regrettable. Lena tried to keep hers that way too, and she succeeded to some extent. Why not celebrate what you had rather than spend your time mourning its passing? There could be joy in things that ended. ”

“It was frustrating when people loved you and took an interest in you and sometimes worried about you and personally cared what you did with yourself. Lena wished that love were something you could flip on and off. You could turn it on when you felt good bout yourself and worthy of it and generous enough to return it. You could clip it off when you needed to hide or self-destruct and had nothing at all to give." (Lena, 194)”