“They were here all at once, but not together. Survival took self-absorption, and it made them strangers with nothing to do and no way to relate. Emergencies gave you a shape and a plot to take part in, while death was no story at all. It left you nothing.”

“The late John Gardner once said that there are only two plots in all of literature. You go on a journey or a stranger comes to town. Since women, for many years, were denied the journey, they were left with only one plot in their lives --to await the stranger. Indeed, there is essentially no picaresque tradition among women novelists. While the latter part of the twentieth century has seen a change of tendency, women's literature from Austen to Woolf is by and large a literature about waiting, usually for love.”

“Do you ever get moods when life seems absolutely meaningless? It's like a badly-constructed story, with all sorts of characters moving in and out who have nothing to do with the plot. And when somebody comes along that you think really has something to do with the plot, he suddenly drops out. After a while you begin to wonder what the story is about, and you feel that it's about nothing—just a jumble.”

“All that I did," she said, "everything I tried to do. All for nothing." Nothing is done entirely for nothing, said the fox of dreams. Nothing is wasted. You are older, and you have made decisions, and you are not the fox you were yesterday. Take what you have learned, and move on.”

“Thoughts were nothing. Memories were nothing. They were nothing you could touch. They took no time. You could fit them all on the point of a pin. You could bring your entire world into doubt in a span of a few seconds.”

“All right. All right.' He thought: am I taking to drink too? It seemed to him that he had no shape left, nothing you could touch and say: this is Scobie.”