“Having experienced her own disappearance, she is conscious of how important it is for people to be seen, so when she looks at them --even the blind one--she also looks for them, just in case they too have got lost and need finding.”

“Materia had been just six when they docked in Sydney Harbour and her father said, 'Look. This is the New World. Anything is possible here.' She's been too young to realize that he was talking to her brother.”

“Adelaide believes that all children should have enough grown-ups around who love them so that one can tell them to fight, one can tell them not to, and one can tell them not to worry so much.”

“She learns a valuable lesson: if you think you are good, just try doing good. You’ll soon find out how inadequate your little drop of goodness is.”

“For once, Frances is stripped of irony. She is in the presence of something bigger--namely Herself. Or at least the self implied by her new body. This is how the Blessed Virgin visits us. She inhabits our own flesh and makes love out of it. Nothing is ironic in the moment of first love. And Frances is in love. With her body, and what it is bringing forth.”

“She wonders when it was that she began to despair. All these years she mistook it for pious resignation. Now she sees the difference. Such a fine line between a state of grace and a state of mortal sin. What is the good of believing fervently in God if you wind up hating Him?”

“She's no lady. Her songs are all unbelievably unhappy or lewd. It's called Blues. She sings about sore feet, sexual relations, baked goods, killing your lover, being broke, men called Daddy, women who dress like men, working, praying for rain. Jail and trains. Whiskey and morphine. She tells stories between verses and everyone in the place shouts out how true it all is.”