“She had had no idea what it would do to her seeing him in a suit.”

“More than anything, more than anything she had with him, she missed the language they had invented, the likes of which she had never had nor would again. The thoughts and ideas he had birthed in her, his golden touch, and the words that erupted from her and became sparks of light to him.”

“She had no idea, really, what it meant to see a man's arm ripped out by the root, to see a head torn off a neck. She had no idea. We human beings live perpetually insulated from the horrors that happen all around us. No matter what she'd suffered, she had not witnessed the vicious ugliness of that kind of death. No, it had to be unreal to her, even Laura who had endured so much.”

“He couldn’t say it. He couldn’t tell her how much she had come to mean to him. She could destroy him with her rejection. If she had feigned her feelings for him – if he’d bought into her lies and her quest for freedom…. He wasn’t sure what he would do. He could hurt her." Caleb.”

“She did not know what it was about him that had always made her want to see him broken.”

“Or she would look at him with a sullen expression, once again he would see before him a face worthy of figuring in Botticelli's Life of Moses, he would place her in it, he would give her neck the necessary inclination; and when he had well and truly painted her in distemper, in the fifteenth century, on the wall of the Sistine Chapel, the idea that she had nevertheless remained here, by the piano, in the present moment, ready to be kissed and possessed, the idea of her materiality and her life would intoxicate him with such force that, his eyes distracted, his jaw tensed as though to devour her, he would swoop down upon that Botticelli virgin and begin pinching her cheeks.”